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by Quentin Lewis

My Yearnotes, 2025

This was not a good year, but there were good things in it.

Work

  • A lot of my professional year was focused on repatriation. In January, I flew out to Colorado to return human remains and a cultural object to the Southern Ute Indian Tribe. This flight, and the work to make it happen, were paid for by a federal repatriation grant, which I’m still surprised and happy we got (and didn’t get taken away from us by DOGE). I also did some complicated work with the Mohawk to help find a safe and culturally appropriate resting place for two ancestors in the Museum’s collection. I continued or initiated consultation with multiple other tribes, and tried to work to make the Museum live up to its legal and ethical obligations as best as I could.
  • We had lots of great programs in the Museum, of which I’m very proud. In spite of the DEI crackdown at the beginning of the year, we had two wonderful Black History Month events, which we co-hosted with Hartwick’s Belonging Center. We also repeated our work with our friends at Hanford Mills Museum and hosted “World of Water”. We screen a number of movies including “Lake of Betrayal”, “Indian Summer”, and the “Fall of Cannonsville”, with the filmmakers present for discussion. We had our usual array of 4th grade visits, crafternoons and half-day fun, a couple receptions, and as always, the Horror in the Museum. Perhaps our biggest event of the year was our co-sponsored Mohawk Social Dance, held at the Foothills performing arts center. I’m greatful to Kanerahti:io DJ White and his troupe for working with us, and making such an informative, lively event happen.
  • It was a busy year for collections. We picked up and re-installed our newly-conserved Previtali, and acquired new works by William Hogarth, Axel Haig, John O’Leary, Phil Young, Lamine Barro, and more. I also returned three large furniture pieces to the Milford Historical Society, which had been stored here for 20 years. Progress!
  • We had a robust exhibit schedule, installing the student-curated “Discovering our Place”, “The Study of One Thing”, and “Memorializing the Underground Railroad”, which I designed, and co-curated with Harry Matthews.
  • I taught “Exhibit Prep and Design” for the first time as a formal class this year, and the outcome was three new wonderful displays by Hartwick students (with one by me!). I also taught “North American Material Culture to 1600” again, but re-focused around contemporary issues in Native studies. In addition to discussions of the peopling of North America, Cahokia, colonial trade and more, I also had Native guest speakers from the Mississaugas of the Credit, the Taos Pueblo, the Southern Ute Indian Tribe, and the St. Regis Mohawk. I wanted students to hear Native voices, not just see and think about Native-made things.
  • The other big thing that I worked on was setting up the Phil Young Indigenous Artists Residency. This has been a labor of love from me, both as a way to honor Phil’s long and rich career showcasing Native art at Hartwick, and also to help the Yager Museum become a more vibrant and lively space of contemproary Native art. Phil passed away this Fall, and it will forever sadden me that he didn’t live to see this come to fruition.

Music/listening


Screens

  • This year, I watched Normal People, Dungeons and Dragons: Honor Among Thieves, Sonic 3, Confess Fletch, Severance, Slow Horses, Paddington in Peru, Ted Lasso, Ludwig, Judas and the Black Messiah, Everything Everywhere All at Once, the Northman, Ratatouille, the Ballad of Wallis Island, Sinners, the Changeling, the Heat, Force Majeure, Fleabag, Weekend at Bernie’s, Monolith, Suitable Flesh, Zootopia 2, and the Bletchley Circle.
    • Sinners is a unique and brilliant film, with its interweaving of global music, southern gothic vampirism, and black culture to explore the long and sharp fingers of colonialism. I don’t think I saw a better movie this year.
    • There’s almost no way that Severance will cash the checks it has written, but I’m loving seeing it try.

Books

I read 42 books this year.


Self


Family

  • Our big family trip this year took us to Scotland and the North of England. It was a hard and tiring trip, and it was also wonderful and delightful in equal measure. I still feel in awe of the many things we saw and experienced together, and I’m eternally joyful that we could show our kids such wonders.
  • We also took our annual Fall trip to coastal New England to see the ocean, eat good food, and recharge our batteries. We stayed in Hampton Beach, which was a strange experience in the off-season. While there, we visited Gloucester, but also trekked up to the Rachel Carson Wildlife Sanctuary, and spent a little time in the cities of Portsmouth, NH, Brattleboro, VT.
  • We also made smaller trips to Montreal, and Toronto (and Iowa for Christmas, if all goes well). We saw the legendary Hudson River school paintings of the Albany art institute and the Calvin and Hobbes exhibit at the Fenimore. We watched the youth opera version of the Odyssey at Glimmerglass, and went fishing in Wilber Lake.
  • In June, we were paid a most excellent visit by my friend the Minister of Intrigue and his family.
  • I’m proud of the new things my kiddos did this year, including rec soccer for Hazel (which I coached!), Middle School soccer for Dominic, and Hazel taking part in the Nutcracker Ballet for the first time (which Alanna and I are both helping out with in ways large and small).
  • I’m also proud of my parents for winding down Czech Village antiques, their Cedar Rapids-based business of multiple decades. Here’s to new adventures in the future!

I wish I could say I felt good about this year. I can see, from the above lines, that I did a lot; some things vital or important, some things kind and meaningful, some things for which I’m proud, some things for which I’m not. But the explosive growth of American fascism and authoritarianism hangs like a ghost on my brain and my whole year has been weighed down by this blossoming menace, frightening and bewildering and cruel.

I have to work hard to keep in my head that no political project is ever totalizing or complete, and, as Gandhi said (and humans have known for millenia), Tyrants always fall. And even now there are strong signs of fracture and pushback and refusal and promise, not to mention the fierce and stubborn indeterminacy that makes up all of social life. Things will change in ways we can’t predict or expect.

The best poem I read this year, and returned to, over and over, was the great Wendell Berry’s “Manifesto: The Mad Farmer Liberation Front”. The last line says simply

Practice resurrection

May we all practice resurrection together in this year to come, taking the old, the dangerous, the unstable, the unjust, and grow from it a bountiful and beautiful new world.

by Quentin Lewis

Weeknotes: 12/13/25-12/19/25

This Week:

  • This is really my last week before two weeks off for the holiday break. We’re going to Iowa and Toronto, which will hopefully be fun and relaxing.
  • If all goes well, Hazel will have her first time in the Decker School of Ballet’s annual performance of “The Nutcracker”. I helped do the load in of the sets and some of the tech set up last Sunday. Alanna has been running a marathon of hair, costumes, and helping backstage. I am so proud of Hazel’s hard work and her willingness to try a new, big thing for the first time. I’m also grateful to Alanna for taking on so much of the responsibility of making this happen.
  • I spent the week trying to move a number of projects closer to completion, including our Spring arts camp, some NAGPRA consultation, the Phil Young Residency, and a new exhibit about Edgar Allen Poe.
  • Good Things:
    • I encountered the bizarro world of Strudel, a music programming language that generates your notations in real time. There’s a browser interface, along with an excellent tutorial. I had a great time poking around in it, and wish I had more time to sit with it!
  • True Things:
by Quentin Lewis

Weeknotes: 12/6/25-12/12/25

This Week:

  • It’s final exam week and my exhibit prep students finished installing their displays, and I submitted grades. It’s been interesting and even fun teaching this class in a formal way, and giving me an opportunity to put all I’ve learned about exhibit installation to good use.
  • This Friday and Saturday, we’re having Community Days at the Museum, with tours, snacks, and activities. It’s a great way to bring the Museum’s Fall season to an end.
  • I did some work on our Spring arts camp. I also made some phone calls to get donations and advice for the Phil Young Indigenous artists residency.
  • True Things:
  • Good Things:
    • I finished reading Tim Powers' “The Anubis Gates”, a rollicking adventure story featuring time-travel, egyptian magic, and 19th century historical figures. It was as weird and inventive of a fairly conventional adventure novel as I’ve ever read.
    • I’ve been trying to get into the Christmas spirit, and music is a big part of how I do that. Here’s a Christmas playlist, at least for what I’m rocking this year:
      • Steeleye Span - Gaudete
      • Nowell Sing We Clear - Chariots
      • Finest Kind - Shepherds Arise
      • Sufjan Stephens - The Friendly Beasts
      • Low - Just Like Christmas
      • The Weepies - All that I want
      • Mike Doughty - I hear the bells (but the live version, not the studio)
      • Jeff Buckley - Corpus Christi Carol
      • John Fahey - Medley: Hark, the Herald Angels Sing/ O Come All Ye Faithful
      • John Denver and the Muppets - Have Yourself a Merry Little Christmas
      • Anonymous 4 - Alleluya! A Nywe Werk is Come on Honde!
      • Waverly Consort - Nun komm, der Heiden Heiland
      • The Kingston Trio - Riu, Riu Chiu
      • Chumbawamba - The Cutty Wren
      • Nowell Sing We Clear - Rolling Downward
by Quentin Lewis

Weeknotes: 11/29/25-12/05/25

This Week:

by Quentin Lewis

Weeknotes: 11/22/25-11/28/25

This Week:

  • I turned 46.
  • I attended Phil Young’s memorial service. I saw many friends and colleagues, heard stories about Phil both old and new, and mourned the passing of a truly amazing man.
  • Sunday, my fam and I went to Cooperstown. We visited the Calvin and Hobbes exhibit at the Fenimore, at at the Doubleday Cafe, and did some window shopping (and some real shopping–I bought an 1897 edition of Archaeologica).
  • The rest of the week involved tidying up a few ends at work, and settling in for a long weekend.
  • Wednesday, we took the kiddos to see “Zootopia 2” which was as funny, charming, and subtly political as the first movie.
  • Alanna made a great dinner Thursday, and we had some friends over on Friday. Saturday we trekked to Albany to do some shopping and pick up some Trader Joe’s snacks. Sunday, we picked out a Christmas tree and got ourselves ready for the week.
by Quentin Lewis

Weeknotes: 11/15/25-11/21/25

This Week:

  • In MUST205, the students worked on the labels for their final display project, and I started installing my display.
  • We welcomed DJ White and the Rise-Up Studio dancers from the Akwesasne Mohawk. They put on an amazing Social dance at the Foothills Performing arts center in Oneonta. SUNY Oneonta (who co-sponsored the event), also welcomed them with a wonderful reception.
  • I said goodbye to my friend and colleague Phil Young, who died late last week. Phil was professor emeritus of Art at Hartwick College, and a long and often lonely champion of Indigenous artists, thinkers, and ideas at the College. He and I have been working on putting together an Indigenous Artists Residency at Hartwick, which would bear his name to honor that legacy. My hope is that it can still happen, though I’m sad he didn’t get to live to see it. Rest in Peace and in Power, Phil.
  • I gave a guest lecture on Ancient Greece and its afterlife in Museums and architecture, and in American colonialism.
  • I did some good work moving our NAGPRA responsibilities forward.
  • True Things
    • Trump’s Big Beautiful Ballroom by Know Your Enemy–My favorite political podcast uses Trump’s plans to build a White House Ballroom as a window into thinking about the politics of architecture, the contradictions of the right’s “populist” classicism, and the ways that our social orders unevenly manifest in the built environment.
  • Good Things
by Quentin Lewis

Weeknotes: 11/08/25-11/14/25

This Week:

  • I finished watching “Suitable Flesh”, a a messy, schlocky horror movie loosely based on HP Lovecraft’s “The Thing on the Doorstep”. There’s lots of Lovecraft fan-service in here, from place and people names, to lore, to a prominent part for Re-Animator scream-queen Barbara Crampton. It wasn’t best movie I’ve ever seen, but given how difficult Lovecraft’s movies are to adapt, it was pretty good, and I enjoyed it.
  • In MUST205, we worked on our displays, which are coming along quite nicely.
  • I did some NAGPRA work that I’m very proud of.
  • I assisted our Museum Education class in finalizing their program, which is entitled “Family Quest” and will be on Sunday.
  • Thanks to Matt Sitman on the most recent “Know Your Enemy” podcast, I learned about George Washignton’s letter to the Hebrews, which is as beautiful a statement about tolerance and inclusion of difference as necessary of a healthy nation, as I’ve read in a long time

    The Citizens of the United States of America have a right to applaud themselves for having given to mankind examples of an enlarged and liberal policy: a policy worthy of imitation… It is now no more that toleration is spoken of, as if it was by the indulgence of one class of people, that another enjoyed the exercise of their inherent natural rights. For happily the Government of the United States, which gives to bigotry no sanction, to persecution no assistance requires only that they who live under its protection should demean themselves as good citizens, in giving it on all occasions their effectual support… May the Children of the Stock of Abraham, who dwell in this land, continue to merit and enjoy the good will of the other Inhabitants; while every one shall sit in safety under his own vine and figtree, and there shall be none to make him afraid. May the father of all mercies scatter light and not darkness in our paths, and make us all in our several vocations useful here, and in his own due time and way everlastingly happy.

  • True Things:
by Quentin Lewis

Weeknotes: 11/01/25-11/07/25

This Week:

  • I devoured, almost in one sitting, Premee Mohamed’s “The Butcher of the Forest”. It’s a thrilling rescue fairytale, featuring the kind of unnverving, ancient magical world that never fails to grab me. It’s also a thoughtful meditation about violence and war and their consequences. I couldn’t put it down.
  • I started de-installing our now discontinued exhibit “Of Time and The River: 12,000 years in the Upper Susquehanna Region”. It was an excellent exhibit, curated by the great Dr. David Anthony, and we’re looking forward to showing off objects from Willard Yager’s collection in new ways in the coming years.
  • In MUST205, the students formally began their final projects of installing a display in one of our display cases.
  • I returned some objects that we had borrowed from the Milford Historical Society (26 years ago!) back to them.
  • True Things:
by Quentin Lewis

Weeknotes: 10/25/25-10/31/25

This Week:

  • We hosted our Halloween storytelling event “The Horror in the Museum”. It’s a fun, lively event that I love putting on at the Museum.
  • In MUST205, students began working on their final projects, planning displays for our display cases using the skills they’ve learned in the class.
  • I did some work moving along our NAGPRA consultation, and getting ready for the upcoming Mohawk Social Dance.
  • Halloween promises to be wet and windy tonight. On the plus side, the Oneonta parade is cancelled, which means more time for trick-or-treating!
  • I finished reading Paul Tremblay’s “Horror movie”. I love his smart, modern take on horror fiction and several of his novels are some of my favorite recent horror writing. This was…okay; well-written and thoughtful about the relationship of film and reallife. But on the whole it felt kind of shallow to me, which is not a thing I usually expect from him.
  • True Things
by Quentin Lewis

Weeknotes: 10/18/25-10/24/25

This Week:

  • I worked on trying to finalize the paperwork for an up-coming Indigenous social dance in Oneonta. It’s happening, but man, it’s been a lot of work.
  • In MUST205, we talked about how to conceptualize and plan cases and displays, and de-installed one of the two cases the students will be using for their final project displays.
  • We welcomed a group of middle and high school students from Stamford, NY to the Museum for a brief but fun tour.
  • I finished reading Brian Evenson’s “The Glassy, Burning Floor of Hell”, another in a long line of creepy, subtle horror collections. Perfect timing for spooky season!
  • Good Things: