Quentin's Weeknotes: 9/7/19-9/13/19

This Week:

• I visited the Oneonta Grand and Glorious Garage Sale. Not as much loot as last year, but I did grab a few Stan Rogers records that I'm missing.
  
• I taught a lecture on collecting practices in ancient Mesopotamia, based on Allison Karmel Thomason's fascinating book.
• I listened, rivetted, to Chris Hayes' conversation with ACLU attorney and LGBTQ- activist Chase Strangio. The interview was mind-blowing for me, with deep discussions of 'Gender Trouble' and the ways in which activism, the law, rights, gender, and sexuality fit uncomfortably together. Really great stuff from a really great podcast.
  
• I was a huge fan of Corey Robin's book "The Reactionary Mind" which attempts to locate the core metaphors of conservative thought in a historical context. Last year, he announced that his next book would be a study of Clarence Thomas, perhaps one of the most interesting and mysterious figures in American political life. Now it's out (or almost out) and this excerpt in the New Yorker makes clear that the book will not disappoint. In brief, Thomas' early commitment to Black Nationalism (he organized free Breakfasts modeled on the Black Panthers, and supported Angela Davis and Bobby Seale) has morphed into a deeply pessimistic view of American society and the possibilities of eradicating racial harms through policy. 
  

Quentin's Weeknotes 8/17/19-8/23/19

This Week:

• I went back to work at the Yager Museum after three weeks away. So much to do, including
  
  • getting ready for Hartwick College's Matriculation (which happened this Wednesday),
  • setting up a new exhibit entitled "Art / Politics: Power, Persuasion, and Propaganda" which I curated
  • preparing to teach MUST250: Collectors and Collecting in a week.
  • getting the fall Museum events schedule up and running, including our welcome back reception, The Horror in the Museum, and much more.
• I finished reading Dave Neiwart's "Alt-America: The Rise of the Radical Right in the Age of Trump". It was good, and quite thorough in its charting of the intertwining trajectories of the patriot and neo-confederate movements. But it held little beyond description, and Neiwart's prescriptions in the afterward struck me as short-sighted.
• I read this wonderful historical article about W.E.B. Du Bois debating a White Supremacist author in 1912. It's a riveting read, as Du Bois made a literal laughing-stock of this guy, but also for what it says about contemporary "debates" with White supremacists and other sundry ethno-nationalists. As someone (who I can't find right now) on twitter noted, commenting on this article, Du Bois shut these arguments down 100 years ago so we shouldn't have to listen to them today!

Book Notes: Parable of the Sower by Octavia Butler

Parable of the Sower

by Octavia Butler

Finished 8/6/2019

A shockingly prescient novel about the survivors of the end of the world, and the necessary costs of survival.

Lauren Olamina is 17 and lives in a walled community near Los Angeles, sometime in the 2020s. The world in which she lives has been ravaged by climate catastrophe, wealth and political inequality, and widespread violence. In her journals (which form the text of the novel), she documents her life, and her growing belief in a philosophy/religion that she develops called Earthseed, that sees change as the most powerful force in the Universe. Due to her mother's drug addiction, she is hyperempathic, which means that she feels the intense sensations (pain or pleasure) of other people in her proximity. Eventually, her community is overrun by invaders and she is forced to flee and build a new community with the other refugees she meets, and using some of her Earthseed insights as a guide.

Reading this book today, in our world, was really hard, but perhaps that's because its so easy to look away from the overwhelming and seemingly insurmountable overlapping catastrophes we face. The fact that Butler wrote this book in 1993 reveals both her genius and foresight and our collective lack thereof.

But this is an Octavia Butler book, which means it is masterfully paced, and the characters she creates are both lived in and real, and also serve as thoughtful interlocuters of the complicated philosophical and ethical issues she lays out. One of the most salient of these is how to cope with change, a visceral and frightful question given the world she has laid out. And yet her ultimate answer is that we must survive however we can, and with as much kindness as possible to those around us, even if that kindness requires violence or danger. Such survival requires a recognition of the power of diversity in the communities that it births, and that we should welcome difference as a means of adapting to new challenges. This ethic permeates the entirety of Lauren's journey.

My reading life is limited to a few minutes before collapsing into sleep each night, which meant that I spent a lot of time moving slowly through the frightening and horrific world that Butler prophecied. But ultimately, the book was hopeful, in its insistence that we can survive with kindness, and that this will create and re-create a community around us. This puts it at odds with other seemingly emancipatory dystopian fiction that either assumes a savior/hero, or sees a communities of resistence as a kind of autonomic response to oppression, without saying much about how such communities will cohere and evolve. The Subprimes, which I read earlier this year is funny and smart, but suffers from both of these problems.

I am in awe of Octavia Butler, as an author, a philosopher, and a social analyzer. Onward!

Quentin's (bi)Weeknotes 7/13/19-7/26/19

Missed my post last week, so here's what I did over the last two:

• I read this strange and foggy short story "The Crisis" by M. John Harrison. I read Viroconium earlier this year, and am still lingering over and attempting to reverse engineer Harrison's lyrical/anxious/morose prose. As with Viriconium, and other of Harrison's work (see both contributions to the Vandermeer's "The Weird" Anthology), this story uses a speculative skeleton, namely an invasion from outside, to explore very human states--pessimism, anxiety, inequality, and displacement.
• I finished Southern Gods by John Horner Jacobs. It was good, especially the moody and swampy first half, though it got a little too formulaic for me by the end.
• We had a yard sale with our neighbors. I love yard/garage sales, as a way of de-cluttering, a way of building community, and as a window into the lives of people by what they discard. We had a great old time, got rid of some stuff, and made a little pocket money.
• I saw The Secret Life of Pets 2. There are fewer joys I have in life than hearing my son laugh out loud.
• I was saddened to hear of the death of Rutger Hauer. Like every nerd, I know him most prominently as the poetic and murderous android/freedom fighter Roy Batty from Blade Runner. But the movie of his that I return to over and over again is Ladyhawke, a gorgeous and extremely entertaining Richard Donner Fantasy epic. Hauer is a force of nature in it, and the entire lead cast, including Matthew Broderick, Michelle Pfeiffer, Leo McKern, and John Wood are all astonishingly great in their respective roles. I can think of no better recommendation than the finale sword fight between Hauer's Navarre and Ken Hutchinson's Captain Marquet.  
• It's the most wonderful time of the year! No, not Christmas--The Verso E-book sale is upon us. This year I grabbed books by Mike Davis, Valerie Solanas, John Berger, Angela Davis, and Theodor Adorno. 

Quentin's Weeknotes 6/29/19-7/05/19

This Week:

• I watched "Bone Tomahawk" and I have mixed feelings about it. It was gorgeously shot, cleverly written and featured some masterful acting by Kurt Russell, Richard Jenkins, and Matthew Fox (really!).At the same time, it's a grotesque film, revelling in scenes of violence and sadism. It's also not clear to me that the movie has moved beyond the common trope of Native people as Savages in Westerns.  There are some nods that villains are not Native, but it's hard not to see this as a horror movie where the good guys are cowboys and monsters are (not really, but actually they kind of are) Indians, and that doesn't strike me as very politically mature in the 21st century. And the fact that Matthew Fox's character, an unrepentant racist and Indian killer, ends up being heroic, makes me feel like the Writer/Director wasn't able to see himself as an Indigenous Person (to paraphrase Ta Nehisi Coates), despite his clear ability to write rich, interesting, and complicated characters.
• I finsihed reading Zora Neale Hurston's early masterpiece "Barracoon". It was stunning.
• Reading up on Hurston led me to "Real Gods Require Blood", a creepy short horror and ambiguous horror film set in impoverished northern England. Definitely NSFW but absolutely interesting:

  Real Gods Require Blood from Moin Hussain on Vimeo.

• I read the short, fun, and entertaining Artificial Condition, the second novella in The Murderbot Diaries by Martha Wells. The premise of the series is that a cyborg killing machine gets freed from its controlled programming and has to learn how to live among humans in a non-lethal way. The protagonist is funny and acerbic, but also anxious and nervous about trying to fit in with normal humans. This series explores the character's mysterious backstory a bit, while also adding some new meat. My favorite bit is a new character called ART, a cheerfully annoying but good-hearted sentient space-ship, but the whole of the technocratic, libertarian world that the characters inhabit is so richly realized that it's hard to pick just one thing about it. It's a great series and I'm excited to read more!