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Friday
Sep212018

Quentin's Weeknotes 9/15/18-9/21/18

This Week

  • I finished Rebecca Roanhorse's debut novel Trail of Lightning. Roanhorse is an award-winning Dine (Navajo) author and sets her novel in a post-climate change Dinetah, walled off from the chaos of a world that has mostly drowned. This event also re-charged the supernatural forces of the Dine, and the world is thus populated with monsters, gods, and people with astonishing powers based on their clan membership. Roanhorse wrote a wonderful essay on Indigenous Futurism which is well worth your time for its re-configuring of some standard sci-fi tropes:

 the landing of Columbus is no longer the discovery of the New World celebrated in children’s songs and on national holidays, but the start of an earth-shattering zombie apocalypse

  • I watched Frances Ha, the 2012 movie directed by Noah Bambach and written by Baumbach and Greta Gerwig (who also stars as the titular character). I had really mixed feelings about it, the same way that I felt about the characters in Martin Amis's legendary 80s novel Money. Both works feature entitled, relatively priveleged characters whose bad decisions and poor relationships are held up for both criticism and humor. Unlike Amis's book, Frances and her friends actions mostly harm themselves, not other people. And because Gerwig is frankly magical and charming as the lost and rootless Frances, it is easy to find relatable and human moments in the movie, despite the smugness and entitlement that pervades it.
Friday
Sep142018

Quentin's Weeknotes 9/8/18-9/14/18

This Week

Friday
Sep072018

Quentin's Weeknotes 9/1/18-9/7/18

This week:

  • My son started kindergarten. Yikes!
  • I read the amazing Adam Serwer's pessimistic take on what is at stake in the Supreme Court. Serwer has an amazingly broad grasp of US history and politics, and he focuses his attention on the late 19th century Supreme court which he refers to as the Redemption Court. This court did so much damage by allowing or whole-heartedly endorsing the most violent and repressive aspects of Jim Crow segregation. Serwer points out that courts have never been ideologically neutral, but have often been pushed by the mood of the country, though perhaps that is no longer the case:
The Redemption Court was arguably constrained by the broad public consensus among white people of all political stripes that black people were inferior and undeserving of full citizenship, a consensus that hobbled enforcement of the Civil Rights Act of 1875 even before it was struck down. The new Roberts Court will pursue its ideological agenda even in the face of majoritarian opposition.
His view of the future is that we are entering a dark time in which an entrenched court will use "the anvil of Judicial Review" to strike down any progressive legislation enacted by the young activists and motivated politicans that seem to be emerging in the base of the democratic party.  I don't dispute the darkness, but I am less convinced of the court's ideological shielding from popular opinion, both because of recent examples that seem to point to holes in the shield and also the long view, taken by Howard Zinn in one of his later published essays that the Supreme Court has almost never been a force for progressive change and we shouldn't fetishize it is some kind of ultimate arbiter. Change comes not from accurate or ideologically neutral interpretation of established law, but from mobilization and power-building.
Friday
Aug312018

Quentin's Weeknotes 8/25/18-8/31/18

This Week

Every Confederate flag in the North is a confession. Each one gives away the entire charade. How can it possibly be about heritage or the other tired euphemisms its Southern defenders trot out?...Every Confederate flag flown outside the slave states is as close as we will get to an admission that the flag represents whiteness, not Southernness.

  • I listened to the newest episode of the amazing podcast The Memory Palace. Walter Knott speaking at the dedication of "Independence Hall", 1966. This week's episode was focused on the origins of Knott's Berry Farm, an amusement park in Orange County that was founded by a farmer named Walter Knott. I knew of Knott's Berry Farm from a throwaway line in the musical Smile, of which I was a cast member in High School. I had no idea that Knott was an arch-conservative, and focused both the park and his political activism around conservative causes. He built a replica of Philadelphia's Independence Hall, supposedly to push people away from socialism, anti-war agitation, and civil rights. 

    Friday
    Aug242018

    Quentin's Weeknotes 8/18/18-8/24/18

    This week: