Recent Posts (page 12 / 33)

by Quentin Lewis

Weeknotes: 5/21/23-5/27/23

This Week:

  • With my 10 year old, I finished reading “A Wrinkle in Time” by Madeline L’Engle. I had thought I had read it as a kid but I remembered very little of this incredibly strange and dark book about family, love, and the eternal struggle between good and evil as it plays out across an elaborate and bewildering universe.
  • I did lots of administrative stuff at the Museum, including some paperwork to hire some summer assistance, setting up some elementary school visits, and doing some long term exhibit and program planning.
  • I sold off a copy of Incredible Hulk #180 on Ebay. I’d had it for nearly two decades, but it was time for it to go to a new home.
  • Friday was an elementary school holiday, so my wife, son, and I painted our garage and then saw Guardians of the Galaxy 3. Both things were fun!
by Quentin Lewis

Weeknotes: 5/14/23 - 5/20/23

This Week:

  • My son turned 10, and we celebrated with presents, cake, and a scavenger hunt.
  • Because it overlapped, we celebrated an early Mother’s day last Saturday, with an indoor picnic (from inclement weather) and grilled steaks.
  • I finished reading “E.C. Comics Weird Science Fantasy Volume 1”, which compiles the first few issues of the legendary EC Comics science fiction collection. As with a lot of 50s pop culture, most of the stories are saturated with anxiety about apocalypse. The art is, of course, astonishing, vibrant, and brilliant.
  • It was finals week at Hartwick, and my students in Collections Management finished up their final projects. Then, as is typical, we had a debrief about the class and how it went, to help me plan out next year’s iteration.
  • I watched “Something in the Dirt”. It was everything I wanted and didn’t get from “Under the Silver Lake”; Los Angeles and its secret darkness, endless conspiracy unspooling to encompass the world, and the ways in which our projection of the unknowable forces of the universe is really just a placeholder for the unknowable nature of the people around us. The only problem with this otherwise fascinating film is the conceit of it being a documentary. That was a bit too cute for my tastes and made the film a bit tonally uneven. But otherwise, another feather in the cap for the weird and deeply human filmography of Benson and Moorhead.
  • I worked on some graphic design to update an unfinished exhibit display.
  • I started putting together a formal object list for another upcoming exhibit.
by Quentin Lewis

Weeknotes 5/7/23 - 5/13/23

This Week:

  • I watched The Thing from the Factory by the Field, a short teenage horror-ish movie about factory farming, the devil, and heavy metal.

  • The Yager Museum hosted a reception for graduating seniors who have worked at or taken classes in the Museum. Congrats folks!

  • In MUST204, students worked for one more week on their solo collections management projects.

  • I bought The Invisible Comes to Us by Anna and Elizabeth. One of their members is also a member of the equally weird and delightful folk group Doran, whose album I bought last year. The Invisible Comes to Us an fantastic and strange neo-folk album, held together by the titular duo’s haunting close harmonies. A good example is here, in their beautiful version of an old gospel song “Mother in the Graveyard”.

    Mother in the Graveyard

  • I finished reading Volume 1 of Resonant by DB Andry, a smart post-apocalyptic comic series about violence both hidden and inescapable and families and communities trying to survive in between.

  • I submitted some materials for people to work and intern at the Museum for the summer and the fall.

  • I did some graphic design work to improve the visual presentation of an exhibit at the Museum.

by Quentin Lewis

Weeknotes: 4/30/23 - 5/6/23

This Week:

  • I mourned the passing of my friend and mentor Bob Paynter. This also occasioned some phone and email conversations with old friends and colleagues, which, though tinged with sadness, were universally rich reconnections.
  • We welcomed Hartwick’s Board of Trustees to the Museum for their spring meeting. We also participated in their deliberations with some motions on repatriation and updating our collections policy. Finally, we hosted an alumni reception and showcased student work.
  • My students in Collections Management continued their final projects. They’re working on researching some obscure artwork, updating database descriptions, labelling objects, and cleaning mold, respectively. I also worked on finalizing the draft water disaster plan that students and I developed
  • I tried to make more progress on our new exhibit plan.
by Quentin Lewis

Colleagues, not Clones: Remembering Bob Paynter (1949-2023)

Bob Paynter was my friend, my dissertation advisor, and perhaps my most important intellectual and political mentor. He died Sunday, after a long illness.


Bob Paynter listening and teaching in Deerfield, Massachusetts, ca. 2007
Bob Paynter at the Frary House-Barnard Tavern field school, Deerfield, Massachusetts, Summer 2007

I first heard of Bob through Paul Mullins who himself died only a few weeks ago. Paul had studied at UMass Amherst, and Bob, a professor there from 1981 until his retirement in 2016, had been his dissertation advisor and collaborator. I was still a wayward undergraduate at Boston University. I had found archaeology, and loved the promise of its rich exploration of the everyday material past, but had almost no teachers and mentors with whom I felt comfortable. Mary Beaudry, who died in 2020 was the exception. I also wasn’t completely sure that I wanted or needed a PhD; inspired by the growth of public and community archaeology, I was envisioning a path that involved a master’s degree and some kind of public-facing heritage-work (which, is, somewhat ironically, where I ended up)

All the same, I convinced a friend with a car to drive me out to UMass to meet with Bob. We met in his office, which was piled with books, papers, and the delightful ephemera of a rich career. At the time I met him, he was already well into the major intellectual and scholarly projects that would define him–the exploration of race and racism in supposedly “White” rural Massachusetts, the politics of narrative as a form of explanation about the past, the relationship of landscape changes to global structural forces like capitalism, and the complexities of indigenous recognition and repatriation.

Of course, I didn’t know any of this when I sat down with this jovial, bearded guy, whose warm and friendly demeanor immediately disarmed my anxieties about the whole endeavor. I told him then that I wasn’t sure about some other programs I had visited, in that it felt like I was walking into somebody’s castle to be anointed as a squire.

Bob told me something in that room that’s always stuck with me; that what he wanted as a graduate mentor was to make colleagues, not clones. He wanted people whose intellectual and scholarly development would grow archaeology, and that growth would in turn push him to grow. These words, and Bob’s infectious enthusiasm, convinced me to join the UMass anthropology community in the Fall of 2002. I would spend the next decade there. It’s where I met the love of my life, made lifelong friends, and grew an intellectual and professional garden that has only thrived and expanded since. All of this came from Bob’s welcoming and supportive model of education, and so much of how I would get to know Bob would be through the lens of someone who treated me as a colleague from the moment I stepped into his classroom in 2002.


Bob Paynter with Stockbridge-Munsee Tribal Historic Preservation Officer Steve Comer, ca. 2003
Bob Paynter with Stockbridge-Munsee Tribal Historic Preservation Officer Steve Comer, W.E.B. Du Bois Homesite, Great Barrington, MA, Summer 2003"

This maybe a good time for an intellectual biography, at least as I came to learn it. Strap in!

Bob was an historical archaeologist, which is often glossed as the archaeological study of the spread of Europeans around the globe from the 15th-19th centuries, and which Bob referred to as the archaeology of colonization, capitalism, and conquest. Just that terminological difference should give a sense of his uniqueness and emphasis. At the time he was coming up, much of the sub-discipline was fairly descriptive rather than explanatory. James Deetz (with whom Bob had studied as an undergrad, and worked with as an interpreter at Plimoth Plantation) had intervened in this by bringing structuralist theory into the interpretation of early Euro-American material culture, but as Bob would later write, structuralism brought with it its own problems of understanding difference and inequality in the past. In short, Bob questioned whether changing cultural mind-sets and their congruence with the diffusion of stylistic traits in material things could help one understand the impact of the conquest of indigenous people, the violence of chattel slavery, or the class inequalities that were present in the earliest colonies. Another framework was necessary.

At the same time, Bob had protested the Vietnam war and been a student of the civil rights movement. The unstable and radical politics of the time saturated his thinking, and he brought that commitment to foregrounding politics into his archaeological work. Marxism was the theoretical framework he ultimately adopted, though he was never doctrinaire about what that meant–he usually referred to himself as a “Groucho Marxist”. His biggest influences came from scholars who brought Marxism to bear on other disciplines, particulary Eric Wolf and his masterful synthesis of anthropology and modes of production in “Europe and the People Without History”, or David Harvey’s close reading of the geography and spatiality of capitalism through a Marxist lens begun in “Social Justice and the City” and “The Limits to Capital”. Bob ’s early work, trying to locate seemingly isolated and bucolic rural New England into the capitalist world system, was an attempt to graft archaeological analysis of settlement patterns and landscapes into Marx’s insights about capitalist development and contradictions.

Bob Paynter excavating at the Frary House-Barnard Tavern in Deerfield, Summer 2005

But plugged into this class-focused Marxism was an abiding interest in race and African-American life. Not long after he started at UMass, a couple of professors from the W.E.B. Du Bois Department of African-American Studies wandered over with a box full of objects they had collected from the surface of “The House of the Black Burghardts” in Great Barrington, MA, the boyhood home of the legendary scholar and statesman W.E.B. Du Bois. This brief interaction began a decades long engagement with Du Bois, intellectually and historically. Bob ran archaeological field schools at the Du Bois site in 1983, 1984, and again in 2003 (where I served in my first teaching position as a very green Lab and Education Coordinator). Bob was also profoundly influenced by Du Bois’s astonishing career and scholarship, and wrote important articles about Du Bois and archaeology, and about race and archaeology more generally.

Bob Paynter talking to the Great Barrington community at the AME Zion Church about the Archaeology of the W.E.B. Du Bois homesite. On the far right is Du Bois’s adopted son David, who had just finished speaking. Summer 2003

And he was immensely supportive of African-American students in archaeology and anthropology. Two of his graduate advisees, Warren Perry and Michael Blakey, co-directed the African Burial Ground Project in New York City, arguably the most important public archaeology project of the the last 30 years, and while Bob wasn’t directly involved, his assertion that both the violent history and vibrant achievements of African-Americans deserved prominence in the past and the present sat at the heart of that project. Bob marched with Warren and Michael, along with thousands of others, down Broadway during the ancestor reburial of 2003.

The crowd, including Warren Perry, Michael Blakey, and Bob Paynter, marching down Broadway for the ancestor reburial of the African-Burial Ground in 2003
The crowd of thousands, including Warren Perry, Michael Blakey, and Bob Paynter, marching down Broadway for the ancestor reburial of the African-Burial Ground in 2003. Image courtesy of Cecelia Moore

Overall, Bob spent his career interrogating inequality in the past and the present. He wrote about the labor exploitation in cultural resource management archaeology, the state of research in the origins and durability of inequality in the distant and recent past, and the political implications of different kinds of historical narratives. He also combined this scholarly commitment with support for historically marginalized groups. He worked tirelessly helping UMass and the Five Colleges in a difficult and messy repatriation of Indigenous human remains, even when this involved Indigenous groups who were not federally recognized.

Bob Paynter and Students listening to Afro-Cherokee scholar Ron Welburn, ca. 2005
Bob Paynter and Students listening to Afro-Cherokee scholar Ron Welburn, ca. 2005

What made Bob so special is that he was committed to making sure that his students didn’t memorize his accomplishments and interests to succeed (though, as you can see from my post, many of us did!) He truly lived out the words that he said to me in his cluttered office that spring in 2002 to try and become his colleague–no easy task. Even as I worked on various archaeology projects in Historic Deerfield, a place he spent a lot of research time, he always encouraged me to bring my own perspective and spin on things, and to push beyond what he had done.

Bob surrounded by generations of colleagues, ca. 2020
Bob and his Colleagues, some of whom started as students ca. 2020. Top: Martin Wobst, Jim Delle, Claire Carlson, Randy McGuire, Warren Perry, Jim Moore, Whitney Battle-Baptiste, Jonathan Hill, Broughton Anderson, Steve Lacy, Anthony Martin, Paul Mullins. Bottom: Mike Nassaney, Bob Paynter, Tom Patterson

And he did this even as he was a rich and charismatic teacher in his own right. Year after year, he taught Introduction to Anthropology, a course that was specifically designed for non-majors to fulfil general education requirements. But rather than seeing this as a chore or an extraneous task, Bob relished the opportunity to teach people what Anthropology has learned about the world–that human cultural variation is vast but understandable, that human biological variation is minimal and the taken-for-granted categories we frequently rely on (especially race) are fictions either convenient or malevolent, and finally that culture, which we make together, is an adaptive niche unto itself. His lectures in that course were enthusiastic, humorous, and provocative. I have ripped off, almost whole-cloth, his lecture on the origins of Christmas in that class, boisterous singing and all.

So many of the beautiful memories I have of him grew out of this fundamental interpersonal ethic–that anyone you meet has the potential to teach you, and thereby to change you. I remember joyful conversations in his office, his car on a welcome ride home, in his backyard, trading new discoveries in fiction (he and I both loved science-fiction and fantasy) or music (he was a lifelong fan of Jazz and a trumpet player of some skill) or the day-to-day of US politics (we spent a cold but wonderful afternoon driving New Hampshire voters to the polls in November of 2008).

And now he’s gone, and all of us who studied with him, worked with him, talked with him, argued with him; all of us have to learn how to live up to the standard that he set, to become the colleagues he always believed and supported us to be.

To think and live as though the past is not something gone, but alive and potent in everything we do, and any future we may make

To center politics, struggle and questions of inequality in any scholarly or intellectual endeavor

To refuse dogma in favor of curiosity and the possibility of explanation

To treat everyone around us as a potential teacher


I’m going to miss my friend so very much. I’ll miss his spirit, his sharp and clever mind, his support, and his exuberant laugh.

Rest in peace and in power, Bob Paynter

Bob Paynter (right) treating me (green hat), and two undergraduate field school students as colleagues, Deerfield, summer 2005
by Quentin Lewis

Weeknotes: 04/23/23-04/29/23

This Week:

  • Most of my week was spent caring for or worrying about sick family members. We’re all a bit under the weather from something, though some of us more than others. Both kids were home from school for at least a day at some point this week, but everyone seems to be on the mend now that the week is ending
  • If all goes as planned, I’m going to de-install “Hybrid: The Kiva Show” on Saturday. This wonderful show, by Jason Medicine Eagle Martinez has been a wildly popular and exciting show here at the Museum for the last six months. I’m sorry to see it go down, but I hope we will be able to do more exciting contemporary indigenous art shows in the future. The image above is from this show, and hopefully we’re going to be acquiring a few pieces from Jason for our permanent collection.
  • In MUST204, my students have been working on their final projects, including improving catalog descriptions, researching unusual prints, object labelling, and mold cleaning.
  • I’ve been trying to finish up the plan for our new archaeology exhibit, and got some good notes from some colleagues this week to help out.
  • Still working on repatriation grants.
  • The Museum welcomed the Hartwick Jazz combo for a live performance.
  • I did a little work on this website adding a books section that will (hopefully) be a record of books I read and have read, along with my thoughts on them.
by Quentin Lewis

Weeknotes: 4/16/23-4/22/23

This week:

  • I removed a 19th century letter from its frame and matting in preparation for it going on display at the Greater Oneonta Historical Society

  • In MUST204, my students and I worked on the Museum’s emergency preparedness procedures and supplies, as part of their final project.

  • My wife went to a conference, so I’m solo parenting this week.

  • I finished reading Colin Wilson’s “The Philosopher’s Stone”. It’s one of his attempts at Lovecraftian horror, but it mingles together those styles and ideas with his broader interest in philosophy and neuroscience. It’s also really long, and to my mind, kind of back-ended with the good stuff.

  • I did some more work on repatriation, moving some cases along the procedural processes in the law.

  • I worked on our upcoming new Indigenous and archaeology exhibit.

  • I mourned the passing of Dr. Paul Mullins, who died at the beginning of the week. It’s hard to even know what to say. He was my mentor, my colleague, and my friend, and such an amazing person that he could make you feel like he was all three at once. When I first met him in 2001 at his long-running Ransom Place field school in Indianapolis (after using a new website called google to find a field school with the keywords “archaeology” and “music”) he had a Batman earring in his ear, a Joy Division poster in his lab, a wicked and often crude sense of humor, and a forthright leftist politics that appealed to my burgeoning radicalism. He was also brilliant and prescient, setting trends in archaeology that the rest of us are still trying to catching up to. I had never met anyone like him, and I still haven’t.

    I don’t have any pictures of the two of us, to my everlasting regret. But this one captures so much of what I loved about him–his impish sense of humor, his love of pop culture, and his feeling that even the most mundane, popular or commonplace images and objects (mickey mouse, geek conventions, barbie dolls (with his equally brilliant wife Marlys Pearson), ruins, underwear, donuts or pets) were worth our time and curiosity. With his own enthusiasm and intelligence, he made the whole world seem more interesting.

    Paul Mullins

    I’m going to miss him a lot.

by Quentin Lewis

Weeknotes: 4/9/23-4/15/23

This Week:

  • In MUST204, we did a group collections management activity, where I give them a collections problem and they have to solve it. This sets everyone up to start their individual projects that will round out the semester
  • I watched Synchronic, another great weird movie by the mighty Benson and Moorhead. This one doesn’t hit quite the heights of Spring or Resolution, but it’s still a wonderfully strange film about drugs, time, love and mortality.
  • My wife and I watched Tower Heist, a fairly ludicrous artifact of post-2008 pop culture. It’s kind of a dumb, bland version of Ocean’s 11, but with a cast of really great actors who seem totally uninterested in what they’re doing on-screen.
  • My son and I finished reading the first volume of Brian Jacques “Redwall” which we both loved.
  • The Yager Museum submitted paperwork formally declaring affiliation on some human remains in our possession, moving us one step closer towards repatriation.
  • I did a lot of cleaning up and moving things around after a burst pipe left some water dripping in one of our galleries.
  • I did some more porting of my old website over here, with a new and updated wishlist section.
by Quentin Lewis

Weeknotes: 4/2/23-4/8/23

This Week:

by Quentin Lewis

Weeknotes 3/26/23-4/1/23

This Week:

  • In Collections Management, we did our annual washing and waxing of the statue of Eurydice by Bojan Konaver that sits in front of Yager Hall. We also talked about standards and methods of care of metal objects and textiles.
  • I spent a lot of time working on our reconstituted Indigenous and Archaeology exhibit plan.
  • On Sunday, we picked up my wife from the airport after her two week-long research trip in Mexico. It’s a joy to have her back home!
  • I keep meaning to write a booknotes for David Graeber and David Wengrow’s “The Dawn of Everything” which I finished some weeks ago, but for a whole host of reasons, I just can’t bring myself to sit down and write something systematic. So what follows here is some scattered notes:
    • What I liked about it:
      • It’s a “big” history, with a broad and synthetic reach, and for a wide variety of reasons, people don’t write those much anymore. I like big histories (e.g. this), even as I recognize that such a broad treatment of any subject can be fraught with ethical perils. I’m sympathetic to critics who make such a case about DOE as marginalizing and provincializing already marginalized people by speaking for them and abstracting the particulars of their historical circumstances into a broad global schema. At the same time, it is delightful and unusual to see a big, global, historical book that presents an emancipatory and interconnected vision of humanity and freedom, as opposed to the usual treatments that see us as hopefully mired in either technological or behavioral fatalism.
      • It really does a wonderful job of provincializing capitalism and our current historical moment of “modernity” as actually somewhat aberrant and unusual forms of social organization. The way we live right now is not only kind of unusual, but actually somewhat weird and stiff compared to the vibrant, dynamic, and mobile forms of sociality that most people of the world would find familiar even a few hundred years ago.
      • I learned a lot about new research in archaeology, particularly regarding the frankly wild and unruly worlds of paleolithic peoples, usually portrayed as rather simple and sophisticated in their lifeways.
    • What I didn’t like about it:
      • The tone of the book is both arrogant and narrow. Repeatedly, the Davids write about how they are turning our ideas upside down or requiring us to completely rethink our priors. That’s a rhetorical position, and certainly they have the expertise on anthropology and archaeology to write from a place of authority. But their audience seems to be middle-class liberals who are already conversant with the ideas they’re challenging, and this is pretty small window of people. It’s not clear to me just how widespread the commonsense framework of human history and possibility at which they take aim actually is. Do the ancient aliens fans really think of themselves as somewhere on a dialectical continuum between Hobbes and Rousseau? Do followers of QANON or other anti-semitic conspiracy theories relate their historical understanding to innate visions of human behavior and social life? It feels a little like they’re tilting at windmills while the hurricane sweeps in on the horizon.
      • This is a bit pithy and personal for me, but I think their discussion of the problem of “modes of production” in chapter 5 mischaracterizes the concept and mixes an analytical category with a descriptive one. I’ve made good use of the concept of the mode of production in my own scholarship, and have found it to be a useful framework for thinking about the complicated ways that social surplus circulates through different historical and cultural moments. The Davids rightly criticize categorizing societies typologically based solely on how they grow food–it’s silly and kind of meaningless to say that societies as wildly different as the Onondaga of the 14th century CE and the Egyptians of the 2nd millennium BCE are somehow “the same” because they both rely on cereal crops. At the same time, the whole point of a mode-of-production analysis is separates work (the individual and historical process of wresting energy from the environment) from labour (the social organization by which surplus is extracted, circulated, and consumed) and allows you to think through the relations between surplus, power, and social organization. And this gets me to another issue with the book…
      • The Davids replace the question of equality and inequality with a question of freedom, which they argue is a better framework for evaluating and understanding human history. They identify three basic freedoms that have been truisms for much of human history: the freedom of movement, the freedom to disobey orders, and the freedom to change and transform social organization. But I think that side-lining questions of equality (who has what) in favor of questions of freedom (who can do what) risks marginalizing the ways in which freedom and equality are ultimately intertwined. I don’t have a clear critique (the Davids hedge their rhetoric enough that it’s not a clear-cut disavowal of questions of equality), but it strikes me that the three freedoms they identify could easily be re-grafted onto hierarchical or oppressive projects. “Freedom” in the United States has a particularly White, patriarchal and capitalist valance. Abstracted from their historical analysis, the three freedoms would be easily cognizant as inherent rights to most American White middle class men. Absent an analysis that identifies equality and inequality and explores how such rights were grafted onto power and surplus distribution (something a mode of production analysis ironically does), such freedoms can be grafted just as easily onto emancipatory or oppressive visions of projects.
  • So I liked the book, and will think more about its implications, even as I found it to have some problematic or oddly-focused rhetoric.