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by Quentin Lewis

Weeknotes: 05/30/26-06/05/26

This Week:

  • I finished Blood Meridian last week and didn’t think I’d have much to say, except that it’s both a beautiful and horrifying book. But I couldn’t stop thinking about it, and wrote up a few notes, which mostly consisted of strange and wonderful passages of text.
  • We brought some paintings from our collection to the office of our new college president, Dr. Laurel Bongiorno.
  • On Friday, we had a visit from Greater Plains elementary school, where we talked about archaeology, museums, Indigenous oral history, and geology. I love these school visits, but they are a lot of work!
  • Wednesday, we went to Dominic’s last 7th grade band concert. The band sounded great, and it continues to be a joy to see my kid on stage playing music with excitement and happiness.
  • True Things:
by Quentin Lewis

Booknotes: Blood Meridian

Blood Meridian

by
Cormac McCarthy
Blood Meridian Cover

I seem to be in a mood to read books that give shape and meaning to the violence I’m seeing around me, that my country is creating and manifesting. I’d avoided McCarthy’s magnum opus for years; now seemed the right time to engage with it.

My experience of reading this book was of punctuation. I would breeze through long sections, of travel, of dialog between characters, of some of the bloodiest violence I’ve ever read. And then I would come upon a passage, a few brief lines, that would stop me, and I would re-read it, again and again, following the arc and melody of the language, conjuring the wild imagery and metaphor, wondering at McCarthy’s skill and boldness.

So what follows is not so much my notes and thoughts as just a collection of passages that I couldn’t stop thinking about. Better readers and thinkers than me have called it the Great American Novel, but as with, say, “the Great Gatsby”, this is a novel about the void of America, the empty and vicious heart of this place, thinly papered over as it is with self-satisfaction and explosive pageantry. And, for a “Great American Novel”, it’s literally a book about American killers of Indians and colonialism, describing their inhuman and bestial activities with poetically lush and shockingly viceral language. If America is a void, emptied of the European languages and cultures that forged it, what fills that void and anchors it to the land is violence.

I could find so many more things to say about this strange and powerful book, but I think it’s easier to just let McCarthy’s prose speak for itself.

1.) P. 20, the words of the old hermit who takes in the child after he first flees arrest

A man’s at odds to know his mind cause his mind is aught he has to know it with. He can know his heart, but he dont want to. Rightly so. Best not to look in there. It aint the heart of a creature that is bound in the way that God has set for it. You can find meanness in the least of creatures, but when God made man the devil was at his elbow. A creature that can do anything. Make a machine. And a machine to make the machine. And evil that can run itself a thousand years, no need to tend it.

2.) P. 152, Judge Holden, describing the abandoned cave dwellings of the [ancestral Pueblo]

All progressions from a higher to a lower order are marked by ruins and mystery and a residue of nameless rage. So. Here are the dead fathers. Their spirit is entombed in the stone. It lies upon the land with the same weight and the same ubiquity. For whoever makes a shelter of reeds and hides has joined his spirit to the common destiny of creatures and he will subside back into the primal mud with scarcely a cry. But who builds in stone seeks to alter the structure of the universe and so it was with these masons however primitive their works may seem to us.

3.) P. 158, the Glanton gang, riding across the deserts, seeking Native people to kill

Under a gibbous moon horse and rider spanceled to their shadows on the snowblue ground and in each flare of lightning as the storm advanced those selfsame forms rearing with a terrible redundancy behind them like some third aspect of their presence hammered out black and wild upon the naked grounds. They rode on. They rode like men invested with a purpose whose origins were antecedent to them, like blood legatees of an order both imperative and remote. For although each man among them was discrete unto himself, conjoined they made a thing that had not been before and in that communal soul were wastes hardly reckonable more than those whited regions on old maps where monsters do live and where there is nothing other of the known world save conjectural winds.

4.) P. 117, the landscape as antognist, as persistant adversary

Far out on the desert to the north dustspouts rose wobbling and augered the earth and some said they’d heard of pilgrims borne aloft like dervishes in those mindless coils to be dropped broken and bleeding upon the desert again and there perhaps to watch the thing that had destroyed them lurch onward like some drunken djinn and resolve itself once more into the elements from which it sprang. Out of that whirlwind no voice spoke and the pilgrim lying in his broken bones may cry out and in his anguish he may rage, but rage at what? And if the dried and blackened shell of him is found among the sands by travelers to come yet who can discover the engine of his ruin?

5.) P. 180, the Judge, as scholar, as archaeologist, and as iconoclastic defiler

The rocks about in every sheltered place were covered with ancient paintings and the judge was soon among them copying out those certain ones into his book to take them away with him. They were of men and animals and of the chose and there were curious birds and arcane maps and there were constructions of such singular vision as to justify every fear of man and the things that are in him. Of these etchings–some bright yet with color–there were hundreds, and yet the judge went among them with assurance, tracing out the very ones which he required. When he had done and while there yet was light he returned to a certain stone ledge and sat a while and studied again the work there. Then he rose and with a piece of broken chert he scappled away one of the designs, leaving no trace of it only a raw place on the stone where it had been. Then he put up his book and returned to the camp.

6.) P. 316, the Child, on the coast of San Diego, seeing the ocean for the first time, with a wild horse and foal walking along the shore

Passing through the salt grass he looked back. The horse had not moved. A ship’s light winked in the swells. The colt stood against the horse with its head down and the horse was watching, out there past men’s knowing, where the stars are drowning and whales ferry their vast souls through the black and seamless sea.

7.) P 322, the Child, hallucinating after recovering from surgery and fleeing the Glanton gang

In that sleep and in sleeps to follow the judge did visit. Who would come other? A great shambling mutant, silent and serene. Whatever his antecedents he was something wholly other than their sum, nor was there symstem by which to divide him back into his origins for he would not go. Whoever would seek out his history through what unraveling of loins and ledgerbooks must stand at last darkened and dumb at the shore of a void without terminus or origin and whatever science he might bring to bear upon the dusty primal matter blowing down out of the millennia will discover no trace of any ultimate atavistic egg by which to reckon his commencing. In the white and empty room he stood in his bespoken suit with his hat in his hand and he peered down with his small and lashless pig’s eyes wherein this child just sixteen years on earth could read whole bodies of decisions not accountable to the courts of men and he saw his own name which nowhere else could he have ciphered out at all logged into the records as a thing already accomplished, a traveler known in jurisdictions only in the claims of certain pensioners or on old dated maps.

by Quentin Lewis

Weeknotes: 05/23/26-05/29/26

This Week:

  • The front half of the week was a long Memorial Day weekend, which we used to visit Toronto. We avoided the rainy weather by visiting the Royal Ontario Museum, seeing some friends, and then, when the sun came out, paying a visit to the Toronto zoo. What a wonderful city, and a wonderful way to spend some time with my family. A picture of my family at the Toronto Zoo with a turtle
  • While in Toronto, I paid a visit to “The Great Escape”, a small bookshop on Kingston Road near my mother-in-law’s house. I loaded up on books there (I almost always do!), purchasing Randall Jarrell’s thoughtful children’s fantasy “The Animal Family”, which I read quickly, and Donald Allen’s legendary anthology “The New American Poetry 1945-1960” which I have been savoring and reading slowly.
  • Back at the Museum, we formally took possession of the objects that we accessioned last week, including a massive collection of modern Native American crafts that is both daunting and exciting.
  • We had some car trouble that took time and money to deal with
  • In the small bits of time between everything else, I worked on repatriation stuff, exhibit planning, and grant reporting.
by Quentin Lewis

Weeknotes: 05/16/26-05/22/26

This Week:

  • Alanna and I watched “Spy”, another strong piece of evidence for Melissa McCarthy being one of the greatest comic actors in the game. We also watched “Speed” which I had never seen, despite its ubiquitous place in the pop-cultural landscape of my youth.
  • I bought a copy of Pere Ubu’s pop leap “Cloudland”. “Breathe” is a stone classic pop song.
  • I made some progress on our Indigenous exhibit, which I feel closer to finishing than I have in maybe a year.
  • I finished reading McCarthy’s Blood Meridian. I may write a few thoughts about it, but I’m mostly overwhelmed in equal parts by its breathtaking prose, horrific violence, and keen insights about America and its character.
  • Good Things:
    • Sunday was Dominic’s birthday party. He wanted to have some friends over to play Dungeons and Dragons, and asked me to DM. Alanna and I did a ton of work getting ready, and the day went great. I ran The Wild Sheep Chase which was the right combination of humor and adventure.
    • We’re leaving for Toronto Friday for the long weekend. I’m looking forward to being in a city I love and seeing friends and family there.
by Quentin Lewis

Weeknotes: 05/09/26-05/15/26

This Week:

  • It’s finals week at Hartwick. My collections management students wanted to hear about NAGPRA, so I did a brief How-to lecture on the nuts and bolts of the topic. We also did the usual group de-briefing about the class, and I had my students to their final grade assessment meetings, which I continue to use as part of teaching the class Un-graded.
  • Thursday, Dominic turned 13. I love him so much and I’m so proud of all the amazing things he does, says, and is.
  • We had a collections committee meeting at the Museum. We voted to accept a number of wonderful objects for our collection, and to de-accession some material to help us respond to a NAGPRA claim.
  • Good Things:
    • I read “The Conditional”, a short, dark and hopeful poem by Ada Limon

      Say tomorrow doesn’t come.
      Say the moon becomes an icy pit.
      Say the sweet-gum tree is petrified.
      Say the sun’s a foul black tire fire.
      Say the owl’s eyes are pinpricks.
      Say the raccoon’s a hot tar stain.
      Say the shirt’s plastic ditch-litter.
      Say the kitchen’s a cow’s corpse.
      Say we never get to see it: bright
      future, stuck like a bum star, never
      coming close, never dazzling.
      Say we never meet her. Never him.
      Say we spend our last moments staring
      at each other, hands knotted together,
      clutching the dog, watching the sky burn.
      Say, It doesn’t matter. Say, That would be
      enough. Say you’d still want this: us alive,
      right here, feeling lucky.

by Quentin Lewis

Weeknotes: 05/02/2026-05/08/2026

This Week:

  • My friend Bill and I saw Hokum, a wonderfully creepy haunted house movie. I have a high bar for horror movies and this one met it with a tight storyline, a gorgeous and immersive setting, and fantastic use of lighting and sound. A physically wild and irrascible performance from the always terrific Adam Scott anchors the movie, which, like all great ghost stories, is ultimately not about the supernatural, but about human tragedy.
  • In MUST204, students worked a little more on the textile cataloging project, and also helped me with some NAGPRA documentation. It’s the last week of classes, and they’ve done a wonderful job working through their collections project.
  • Hazel had her first soccer game, which I am delighted to once again help coach.
by Quentin Lewis

Weeknotes: 04/25/26-05/01/26

This week:

  • We said goodbye to my folks, who were here to help us out with the zanyness of the week. I’m very lucky to have the parents I have.
  • In MUST204, we continued our work on evaluating our textile collection.
  • I did some NAGPRA work and some future planning on Indigenous programming.
  • On Bandcamp Friday, I bought “US Songs” by millennial emo innovators Elliot, and Alvvays debut album.
  • Good Things:
    • Hazel had her Spring Ballet Recital. I’m so proud of her and all the hard work she’s put in.
    • We started getting our garden in order for the summer.
by Quentin Lewis

Weeknotes: 04/18/26-04/24/26

This Week:

  • In MUST204, we continued work on our textile assessment and condition reporting project, and the students also assisted with assessing some paintings that had been on display and were returned to the Museum.
  • A couple big groups this week. Monday, we had a visit from educators from BOCES. Wednesday, we had a visit from SUNY Oneonta’s public history class. It’s always wonderful to show people the Museum.
  • I did some work getting information for reporting our CFOC grant, which paid for the Arts Camp.
  • My Folks were in town, largely to help us get through ballet recital week! It’s great to have them around, even if it feels like a real whirlwind.
  • I roped the Minister of Intrigue into helping me get my new laptop shipshope for posting this blog!
by Quentin Lewis

Weeknotes: 04/11/26-04/17/26

This Week:

by Quentin Lewis

Weeknotes: 04/04/26-04/10/26

This Week:

  • It was Spring Break Arts Camp week at Hartwick. Meghan Sheehy and I and three Hartwick students tromped all over campus with 24 elementary school kids, making art, crafts, noise and fun. It was exhausting, but we had a great old time.
  • In my small scraps of downtime, I listened to Mike Duncan’s “Revolutions” podcast, specifically the newest season about “the Martian Revolution,” which is a kind of speculative history, but clearly draws on his knowledge derived from his other seasons. It’s fun, well thought out, and dynamic. That was my toe-dipping for the rest of the podcast (which focuses on actual historical revolutions) and I’m not going to go back to the beginning!