Recent Posts (page 19 / 33)

by Quentin Lewis

Quentin's Weeknotes 12/5/21-12/11/21

This Week:

  • It was finals week at Hartwick, and our students submitted their final papers, which took the form of an object biography. It was a fun and challenging class to teach, and we had a great cohort of students who came with us along the way.
  • We did some work around the house to prepare for my mother in law coming to visit us over the holiday.
  • I finished reading “Corpsepaint” by David Peak. It’s a short novel about black metal, folk horror, and the end of the world. Surprisingly great, especially since many novels about musicians are not.
by Quentin Lewis

Quentin's Weeknotes 11/28/21-12/4/21

This week:

  • MUST251: North American Material Culture finished up our classes, with a focus on two objects of modern material culture: bottled water and cell phones. The students have a final object biography due for their final. It’s been a fun class to co-teach, and I hope the students enjoyed it as much as I did.
  • I finished reading Matthew Bartlett’s “Gateways to Abomination” a collection of short and weird fiction centered in (and occasionally directly about) the Connecticut River Valley of western Massachusetts. This is a place I spent almost a decade of my life, and that I love deeply, so it was delightful to read this creepy and hallucinogenic collection of stories that revelled in a shadow/nightmare version of it.
  • I was very proud of my wife, who gave the Richard Siegfried lecture at SUNY Oneonta, and won the Siegfried Prize for Junior faculty. The kiddos and I went to her talk, which was both fascinating and entertaining because, she’s both of those things!
  • I watched “Jupiter Ascending” or “Jupiter Bewildering” as I took to calling it. I’ll say this for this incoherent and nonsensical film: I was never bored!
by Quentin Lewis

Quentin's Weeknotes 11/21/21-11/27/21

This Week:

  • I celebrated 42 turns around the sun. Got a great stack of books to work my way through, and Alanna made a sumptuous and amazing Caramel Cake.
  • In MUST251, I taught a lecture on the Material Culture of Christmas, using Stephen Nissenbaum’s amazing book “The Battle for Christmas." Other inspirations came from my mentor and friend Bob Paynter, who taught a similar lecture in his Introduction to Anthropology class, as well as Tony Barrand, another mentor, whose musical group Nowell Sing We Clear provided the soundtrack.
  • We did Thanksgiving in our house, though without much of the pageantry (especially given that for many Native people, it’s a day of mourning). We made Puerco Pibil, took the dog to the new Dog Park, watched some TV, and did some work around the house.
  • I finished Mike Davis' masterful (and horrifying) book “Late Victorian Holocausts: El Nino Famines and the Making of the Third World." Its an unsparing and astonishingly detailed history of how European negligence (or deliberate violence) in its 19th century colonial ventures collided with El Nino Southern Oscilation weather/climate events to produce one of the great famine disasters in world history. It was hard reading, in many places, to see the callousness and inhumanity of European powers on display, and it is a reminder that no disaster is ever “natural.”
by Quentin Lewis

Booknotes- Late Victorian Holocausts by Mike Davis

A masterful summary of late 19th century world history that manages to link together nature and politics and sophisticated and brutal ways, and also reminds us (as if we need reminding) that there is no such thing as a “natural disaster.”

 Davis, the eminent social(ist) historian wrote this book in the early 2000s, at a time of growing interest in the impacts of the El Nino-Southern Oscilation process on historical events. He doesn’t speak directly to this in the book, but it’s clear that Davis was pushing back against the interpretatation of history as simply an unfolding of weather and climate forces acting on human societies. Instead Davis focuses his attention on the ways in which ENSO events emerged, structured, and elaborated within the regimes of accumulation and violence that characterized European imperialism in the late 19th century. In particular, Davis focuses on the famines that emerged in the wake of ENSO events, in three periods (1876-79, 1889-92, 1896-1902), and across Asia, Africa, and South America, but with a particular focus on India, China, and (to a lesser extent) Brazil.

What Davis ultimately documents is an astonishing confluence of liberal capitalist greed, colonial violence and disregard, and a particularly harsh series of ENSO-derived weather events. Taken together, he argues, they amounted to likely more than 30 million deaths, and probably closer to 50 million, certainly one of the largest concentrated famines in recorded history. Some of this was due to the irregular weather brought on by ENSO processes–long droughts, unstable monsoons or rainy seasons, and other unpredictable processes affecting the predominantly agricultural populations of these regions. But Davis argues that in almost every location, locals had developed adapaptations to unusual weather events–for example, the Qing dynasty who ruled 18th and 19th century China had sophisticated systems of grain storage and dispersal for times of famine, as well as rich and complex irrigation systems to distribute water to drought-prone areas.

What changed in the 19th century was European colonialism, and the brutal logics of capitalist imperialism that were imposed on India, China, and the other locales Davis investigates. Inspired by an almost messianic belief in the power of free markets, English (and French) imperialists forcibly inserted poor farmers into ruthless global markets for food and land which had the effect of placing people in marginal subsistence circumstances (due to the weather) at the whims of prices being set on the other side of the world. This system was brutally installed and supported by colonial powers and people who combined a fierce belief in the efficacy of market capitalism with a racial ideology that blamed non-white people for their own suffering.

The book is essentially divided in three sections. The first two sections document, in horrifying detail, the nature of the famines in the three periods. India, China, and Brazil receive the most focus, but Davis provides starting accounts of famines in the late 19th century from nearly every corner of the world. The famines in India were particularly brutal, due in large part to the British colonial insistence that the market not be meddled with. It was difficult reading, and Davis is unflinching in his accounts of the famished, the diseased and the dying who are largely ignored or outright murdered by colonial officials.

The second section is both an intellectual history of ENSO studies, and also a rich and dense discussion of the phenomena itself. Davis points out that it was the embeddedness of especially British colonialism in tropical places that inspired the study of ENSO events in the first place, and that interpreting and understanding medium-term weather phenomena were of keen interest to major scientists and scholars in the 19th and 20th centuries–the discussions of Stanley Jevons were particularly inspired and fascinating, and especially his dogged belief in the impact of planetary alignment in determining grain prices (!)

The last section of the book takes a deep dive into the socio-ecological history of the three locales (India, China, and Brazil), with a focus on the political economy of these places in the wake of colonization. Each section is fine-grained, and looks at how labor, subsistence, trade, and ecology blended together in cementing the 3rd world in its place in the wake of ENSO famines. Spinning the histories of the three places, he locates their current status as “peripheries” of the Euro-American world as a function not of their tragic happenstance in a location of medium-range weather cycles, but as a deliberate choice to let their populations die, privatize (and extract) their resources, and privelege market ideology over human life and survival.

It is now more commonplace to see so-called natural disasters as a function of societal choices and priorities–last year, I read Paul Kelton’s “Epidemics and Enslavement” which makes a similar argument contra “virgin soil” theories of colonization. But as is so typical of him, Davis charted a course others would follow, and did so with an astonishing depth and detail that is almost peerless in social or historical research. I had a general outline in my head of late 19th century colonial history, but Davis turned that history inside out in a gruesome and almost prosecutorial fashion.

If you want to understand the role of Europe in underdeveloping what we used to call the 3rd world, you could do worse than starting with this book.

 

by Quentin Lewis

Quentin's Weeknotes 11/14/21-11/20/21

This Week:

  • The Museum hosted “Enchanted Worlds: A Fiesta at the Yager Museum”. This event, created by students in the “Places of Learning” class, used the Mexican mask exhibit as inspiration for a program of crafts, food, music, and fun. It was a great time, and I’m very impressed at all the great work they did!
  • In MUST251, we talked about vernacular architecture (specifically tobacco barns in the Connecticut River Valley) and the tourist landscape of Cooperstown, NY.
by Quentin Lewis

Quentin's Weeknotes 11/7/21-11/13/21

This Week:

via GIPHY

 

  • I finished reading “Memento Mori” by Brian Hauser. It’s an epistolary (sort of) novel that riffs on the mythology of Robert W. Chambers “The King in Yellow”, a favorite of HP Lovecraft and the inspiration for the first season of True Detective.
  • This week in MUSt251, we talked about Maps as Material Culture, and cultural landscapes.The students also submitted their object biography drafts, and we sent them comments to help them revise.
  • For the last two weeks, one or the other of my kids has been quarantined for COVID-19 exposure. It’s been a rough and exhausting time, and I’m happy that my kids were ultimately not infected. I’m also frustrated and angry at my follow community-members, who continue to resist, flout, or complain about the most minimal of public health interventions (masks and vaccines) thus creating even more dramatic consequences for themselves and us.
  • I spent some time working on getting the panels in our mask exhibit fully translated into Spanish.
by Quentin Lewis

Quentin's Weeknotes 10/31/21-11/6/21

This Week:

  • My family had a pretty good Halloween, all things considered. We marched in the Oneonta Parade, did some trick or treating, and carved pumpkins, which managed to survive until Halloween, despite regular snacking on by deer.
  • This week in MUST251, we had a day of consultation and planning around the student’s final “object biography” papers, and I lectured about 19th century Native American baskets and tourism.
  • I partcipated in a panel at the Association on American Indian Affairs Repatriation conference entitled “Nothing that Deserved the Name of Purchase was Made”, in which I discussed our recent consultation work with the Stockbridge-Munsee that resulted in our repatriation of brooches used by John W. Quinney. The panel was great, and got a great response from the audience. I was honored and humbled to take part.
  • I bought records by All Them Witches, King Buffalo, and The horror.
  • I also opened this great birthday present from my parents a little early–I couldn’t wait.
by Quentin Lewis

Quentin's Weeknotes 10/24/21-10/30/21

This week:

  • I watched Ben Wheatley’s folk/nature horror film “In the Earth” which was weird and beautiful.
  • My wife and I watched the new “Dune”. It was…fine. Breathtakingly beautiful and richly made, but just kind of meh for me. Compared to the insane and barely coherent Lynch version, it felt very stale and lifeless.
  • I read Orrin Grey’s short story collection “Guinol and other Sardonic Tales”. It was fun, and referential, with lots of great film references. Nothing mind-blowing, but definitely a good time.
  • The Yager Museum hosted “The Horror in the Museum”, our annual Halloween storytelling event. It was a great old time, with wonderful readers and an enthusiastic audience.
by Quentin Lewis

Quentin's Weeknotes 10/17/21-10/23-21

This Week:

via GIPHY

by Quentin Lewis

Quentin's Weeknotes 10/10/21-10/16/21

This Week:

  • In MUST251, we taught brief overviews of the material culture of African-America, including discussions of minkisi bundles, the Bakongo cosmogram, and the African Burial Ground in New York City. I had the good fortune to know and later work for the director of Archaeology from the ABG, Professor Warren Perry, and it was delightful and heartwarming to teach the things he taught me to other students.
  • I did some work getting ready for our upcoming Halloween event “The Horror in the Museum”
  • I finished watching “Spring”, a beautiful, sweet, and grotesque film about a young man who falls in love with a monster. I love Benson and Moorhead’s other films, but this is a class by itself. Genuinely strange and gorgeously shot in Italy, it’s a movie about love and death and bodies and history. Just amazing….
  • In a fit of seasonal Halloween enthusiasm, I dusted off a reading I did of HP Lovecraft’s “The Colour Out of Space”. It’ll be up on the blog, as well as in my “projects” section.