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by Quentin Lewis

Booknotes: The Runaway Restaurant by Tessa Yang

The Runaway Restaurant

by Tessa Yang

Finished 8/20/22

A rich and evocative collection of fantastical short stories that explore the ambiguous edges of relationships and identity.

The stories in this collection deploy many familiar concepts or imagery from fantastic fiction: futuristic technology, witchcraft, ghosts, apocalypse. But these commonplace devices provide a vantage point through which Yang explores the difficult and uneven terrain of close relationships; the lines that run between lovers, parents and children, or seemingly inseparable friends. One of the common themes that lurks in these stories is that natural or supernatural limits force us to reckon with who we are to ourselves, and to others. In “Others Like You”, a coven of witches are drawn to an eastern seaboard tourist town, only to find themselves mystically trapped there, and stewing in their own interpersonal frustrations as much as in their own power. In “Runners”, two newly parentless teenage cousins begin to invade the empty homes of their neighbors, trying on new identities from the mundane trinkets they steal, but increasingly hemmed in by the tensions and contradictions of their unstated competition and the echoes of their relationships to their missing relatives. Yang’s characters learn who they are and what they want through the walls they build, or that are built for them by forces either interpersonal or alien.

Yang’s prose is rich but unpretentious. One character ponders “the unsolvable riddle of love and resentment that have curdled until one is indistinguishable from the other”. Another woman, recently deceased, describes her ghostly body as “a sensation like double doors bursting open, admitting air and light and music into the shuttered room she’d become during those final, wretched days.” Yang is clearly delighted by the weird situations in which she plots her characters, but her most delicate and thoughtful exposition comes in probing who her characters are, how they feel, and what they want.

As an archaeologist, I was intrigued by the evocations of material things that are scattered throughout this collection. Many of these stories revolve around the secret meanings of simple or anonymous objects. A worn and well-used college dorm room wardrobe periodically emanates maple leaves. Abandoned cars left in an old barn give meaning and purpose to the ghosts that haunt it. “Wonder in her Wake”, my favorite story in the collection, follows a hoarding mother and son who collect refuse and ultimately reconfigure it into magic. This latter is a subtly (or even explicitly) Lovecraftian story, where every character, in their own way, seems to be seeking some forbidden or mysterious knowledge.

It’s really delightful when your friends make wonderful art. I was given an advance copy of this book by the author in exchange for an honest review. Knowing Tessa, and having read her work before, I figured it would be good but it exceeded my already high expectations. This is a great collection, strange and heartfelt and insightful and wide-ranging. Fans of fantastic and speculative fiction will find that it treats old friends in new ways, and more literary-inclined readers will appreciate Yang’s subtlety, rich characterization, and inviting prose.

 

by Quentin Lewis

Quentin's Weeknotes 8/14/22-8/20/22

This Week:

  • …also includes a few things from last week. It’s a busy time, go figure.
  • Like a ton of other people, I watched and loved “Prey”, a great Indigenous fantasy and the best “Predator” movie since the original (or maybe it’s better than the original?)
  • I finished reading Annalee Newitz' “Autonomous”, a delightful and thoughtful book about the thin line  between humans and technology, and suggestive of the idea that “humanity” is a series of relationships, regardless of the degree of mechanical or biological automation involved.
  • We finished installing the Museum’s newest exhibit, a travelling show of photography called “Front Row Center” featuring the photographs of Larry Hulst. I’m really excited about it!
  • With my wife and daughter, I took a brief trip to Syracuse and Oswego. We visited the always wonderful Museum of Science and Technology, and saw Lake Ontario from the opposite side that we usually see it.
  • I did some work on forward program planning for the Fall.
by Quentin Lewis

Quentin's Weeknotes 7/31/22-8/6/22

This Week:

  • We de-installed all the exhibits from our main gallery, to make way for a new exhibit entitled “Front Row Center: Icons of Rock, Blues, and Soul”. We’re setting it up now and we’re really excited about it!
  • I printed and delivered the panels that tell the story of John W. Quinney and the repatriation of his regalia to the Stockbridge-Munsee Community.
  • I finished reading the excellent Lovecraft Anthology “Wonder and Glory Forever” edited by Nick Mamatas. I’ve read a LOT of Lovecraft-inspired anthologies in my life, and this was one of the best. The stories use Lovecraft’s mythologies and ideas as set-pieces for broader things. I particularly liked Michael Cisco’s eerie “Translation” about a scholarly couple who are trying to unravel an encoded egyptian text from a lost Pharoah.
by Quentin Lewis

Quentin's Weeknotes 7/24/22-7/30/22

This Week:

  • Well, technically last week….I finished reading John Hodgman’s “Medallion Status”, a thoughtful memoir about the ridiculous and silly perks and trappings afforded to the only minorly famous, and what happens to a person when those perks start to disappate. I really loved it–it’s funny and smart and very self-aware, kind of an anti-tell-all memoir.
  • We held our last Crafternoons of 2022 in the Yager Museum. It’s been fun to have children back in the galleries, and our summer museum assistant Josephine has been an absolute champ at setting these up and running them.
by Quentin Lewis

Quentin's Weeknotes 7/17/22-7/23/22

This Week:

  • I finished reading “Beezus and Ramona” with my son. I have a faint memory of having it read to me by a teacher when I was a kid, and it was just as funny and sweet as I remember. My son liked it too!
  • I finished reading Mike Davis' first book “Prisoners of the American Dream” which is his masterful labor history and analysis of the dark times of the Reagan era. It’s so vast in scope and knowledge that it’s hard to even summarze, but I genuinely appreciated the way he deftly reckoned with the complicated interlocking of race and class in his analysis. Davis is currently off treatment for cancer, and its hard to think of a more signifcant and incisive scholar, historian, and activist.
  • We finished our formal inventory of the collections! Now we just have to find all of the things that are still listed as missing in our database, and we’re done!
  • We held another crafternoons at the Museum, this time with the theme of “places”.
  • My wife and I finished watching “Breaking Point”, a documentary about the Maidan revolution and the annexation of Crimea. It’s a powerful film, about everyday people in extra-ordinary and horrifying circumstances, that is made even more powerful by current events.
by Quentin Lewis

Quentin's Weeknotes 7/10/22-7/16/22

This Week:

  • Was my first week back after a vacation to Toronto and Bancroft, Ontario. We went up for the first time since the pandemic, saw friends, visited Grandad’s Forest, and just enjoyed ourselves in a wonderful city. Some photos:
  • While I was in Toronto, I finished both Drew Magary’s “The Postmortal”, and James Morrow’s “The Asylum of Dr. Caligari”. The former was a dark, funny dystopia about the end of death, while the latter took on Cubism, the origins of film, and WWI in an adventure about art and love and violence.
  • The Museum restarted its Summer Crafternoons program! We had kiddos in last Wednesday and this Wednesday doing crafts and a scavenger hunt, watching old cartoons from the Internet Archive, and eating snacks. A great time was had by all.
  • I have been cracking the whip on trying to finish the Museum’s five year inventory.
by Quentin Lewis

Quentin's Weeknotes 6/26/22-7/2/22

This Week:

  • No Weeknotes from last week…lots of slow moving stuff but not a lot of tangible outcomes. Also, the shadow cast by the new beachhead of Christian fascism made it hard to focus on much of anything.
  • This last weekend, my family and I went to Chenango Valley State Park and stayed in some CCC Cabins. It was a delightful weekend of swimming and grilling and getting some fresh air and sunshine.
  • Sunday was my and my wife’s anniversary. Love you, baby, now and forever.
  • I finished reading Sara Gran’s “Claire Dewitt and the City of the Dead”, one of the best crime novels I’ve read in a long time. Taking place in slightly post-Katrina New Orleans, it follows the eponymous Claire as she attempts to find a man who went missing during the storm, using the methods of her mentor, a strange and philosophical French detective. The book is genuinely weird, full of miracles and coincidences and bizarre connections. I couldn’t put it down and I am looking forward to tackling the sequels.
by Quentin Lewis

Quentin's Weeknotes 6/12/22-6/18/22

This Week:

via GIPHY

by Quentin Lewis

Quentin's Weeknotes 6/5/22-6/11/22

This Week:

by Quentin Lewis

Quentin's Weeknotes 5/29/22-6/4/22

This Week:

  • After weeks of watching it in 15 minute chunks, I finally finished Tarkovsky’s “Stalker”, a strange and ambiguous film about faith, desire, and the sad decay of the world. It was great though jebus it’s long.
  • The Museum opened back up again for the summer, and we have a summer assistant. Welcome aboard, Josephine!