Recent Posts (page 20 / 33)

by Quentin Lewis

Quentin's Weeknotes 10/3/21-10/9/21

This Week:

  • In MUST251, we talked about the material culture of early Euro-Americans in New England, with a close reading of James Deetz' “In Small Things Forgotten”, as well as articles about elite architecture in 18th century rural Massachusetts.
  • We were delighted to welcome Michelle Schenandoah for a talk at Hartwick, as part of our speaker’s series on acknowledging Hartwick College’s place on Haudenosaunee land.
  • I finished reading Annalee Newitz new book “Four Lost Cities: A Secret History of the Urban Age”. It’s a travelog, a great primer on archaeology, and a love letter to urban living in the past, present, and future.
by Quentin Lewis

Quentin's Weeknotes 9/26/21-10/2/21

This Week:

  • I finished reading “The Urban Bizarre”, edited by Nick Mamatas. It’s an eclectic and electric collection of weird urban fiction, with plenty of violence, sex, and tall buildings.
  • This week in MUST251, we taught brass objects in the fur trade, Thayendanegea/Joseph Brant, and the image of the tomahawk in the United States.
  • via GIPHY

With my kid, I watched Ghidorah: The Three-Headed Monster. It’s the perfect combination of exciting, scary and silly for an 8 year old. We loved it, though it certainly takes its time getting to the monster fighting.

  • On Friday, I went with my friend Thor to see Clutch at the Empire in Albany. I’ve been a fan of Clutch since I first saw them in 1999 at the Middle East Club in Cambridge, and I’ve tried to see them live every chance I get. Despite being 30 years (!) into their career, the band is still an astonishing and delightful live act. I was also particularly impressed with one of their opening acts, King Buffalo, who blew me away.
by Quentin Lewis

Quentin's Weeknotes 9/19/21-9/25/21

This Week:

by Quentin Lewis

Booknotes: Things That Never Happen by M. John Harrison

I’ve talked about M. John Harrison before. The topline is that he’s a brilliant prose stylist, a peerless writer of landscape and the material world, and a keen observer of the complex lengths people will go to avoid confronting their own loneliness and dissatisfaction. He combines all of that with a deeply critical grasp of genre of “the fantastic” and its contradictions. Even the stories of his that don’t viscerally grab me are still compelling and engaging. 

I recently finished a now-out-of-print collection of his short stories called “Things that Never Happen”, spanning the 1970s-1990s, though a new collection that includes many of the same stories, entitled “Settling the World” has recently been published. Here are a few stories from it that did, in fact, grab me:

The Incalling–Two men attend a somewhat hokey mysical ceremony in a house in London, and must deal with the strange and incomprehensible consequences. For my money, the creepiest story in the collection, full of barely coherent magic and the forces it can unleash on our bodies and the world around us.

The Ice Monkey–A very subtle portrait of despair, class inequality, and binding ties in Thatcherite London, painted with a cold detachment that befits the eponymous but invisible monster at the heart of the story. Harrison describes this as a horror story with all of the horrific elements removed.

Egnaro - A bookshop owner becomes obsessed with finding reference to an obscure location or condition that may or may not exist. When I first read this, in Jeff and Ann Vandermeer’s amazing anthology “The Weird” I saw it as a satire of the typical Lovecraftian protagonist; a person whose search for arcane knowledge devours them as easily as whatever horrors they might find. This time around, It struck me as aiming at a much deeper target, something about the ways that the fantastic allows us to paper over the contradictions of modern life. I thought about America’s current obsession with finding clues and patterns in mundane things and purporting vast mysteries, and the terrible consequences that search has wrought.

Seven Guesses of the Heart- A fantasy story a magician and the death of his daughter who tried to follow in his footsteps. It’s a story about male self-centeredness, and the things fathers give to (and take from) children. Heart-wrenching and strange, especially as a Dad myself.

I Did It–a funny story about football, masculinity, and hitting yourself in the head with an axe.

All of the stories in this collection are rich and engaging–I read them slowly, enjoying the gorgeous descriptions of London and rural England, wondering about the nature of Autotelia (one of Harrison’s many fictional or fiction-adjacent places which pops up in multiple stories), and feeling genuine sympathy (or sometimes enmity) for his narrators and characters, who are all, in some ways, trapped in themselves by the worlds they live in.

by Quentin Lewis

Quentin's Weeknotes 6/12/21-6/18/21

This Week:

  • In MUST251 we talked about Indigenous pottery in North America, and specifically pottery found in the Northeastern United States.
  • I took my kids to Schenectady Pediatric Dentistry. It’s a long haul, but they are the best kids dentist I’ve ever seen and totally worth the drive.
  • I put the last finishing touches on the Mask exhibit before our reception next week.
  • I celebrated my wonderful wife’s birthday. We had cake and presents and some delicious meals. I love you, baby.
by Quentin Lewis

Quentin's Weeknotes 9/5/21-9/11/21

This Week:

  • In MUST251, we talked about fluted points, the peopling of North America, and the dangers and possibilities of inferring behaviors and communities from single objects.
  • I spoke to students in MUST203: Exhibit Prep and Design about the possibility of making an exhibit panel about our recent repatriation work.
  • My son started the 3rd grade. I’m really proud of him.
  • I read Richard Corben’s comic mini-series Rat God and Caitlin Kitteridge’s Supernatural police-procedural/horror Coffin Hill. The former was a delightfully strange and grotesque Lovecraft homage. The latter was okay, but didn’t really fire me up. It jumped through time quite a bit, in ways that made it hard to follow, and many of the moving parts of the plot, though interesting on their own, didn’t come together for my tastes.
  • We set up two small exhibits of Yager Museum materials at the Greater Oneonta Historical Society. These included objects collected by Louis Van Ess and Willard Yager, as well as the now permanent panels from the 2017 exhibit Black Lives at Hartwick Then and Now. We also spoke to some students from Hartwick Flightpath courses who visited GOHS and talked about the exhibits.
  • I bought albums on bandcamp by Superwolf and Low
by Quentin Lewis

Quentin's Weeknotes 8/29/21-9/4/21

This Week:

via GIPHY

  • Classes started at Hartwick. We had our first two sessions of MUST251: Introduction to North American Material Culture. So far, people seem interested in objects!
  • We hosted students at the Museum as part of the Sophomore Sleepover. We had some good conversations about the Museum, and lots of students did our (actually kind of difficult) museum scavenger hunt.
  • I read some comics–Wonder Woman: Earth 1 (vol 1) by Grant Morrison, Invincible Iron Man (Vol 1) by Matt Fraction, and Plunge by Joe Hill. All were fun, though I liked some better than others. Plunge continues Joe Hill’s streak of being a delightfully inventive and engaging horror author.
  • I did some work planning for our upcoming Fall reception, as well as for some upcoming guest speaker events at the Museum.
by Quentin Lewis

Quentin's Weeknotes 8/22/21- 8/28/21

This Week:

  • We did some cleaning at home, and tried to get ourselves ready for the slowly unfolding tsunami of our various fall semesters.
  • We put the finishing touches on our new class, MUST251: North American Material Culture
  • Hartwick welcomed its students back to campus, and we welcomed some of them to the Museum for a tour and a scavenger hunt.
  • I continued to work on labels and other trappings for the exhibit “For the Moment, Living Images: Masks of Mexico and Beyond”
by Quentin Lewis

Quentin's Weeknotes 8/15/21 - 8/21/21

This Week:

  • I finished reading “The Magician’s Land” by Lev Grossman. I read (and loved) the first book many years ago, followed quickly by the sequel which I liked somewhat less. This book felt like a necessary conclusion, sometimes rough and sometimes graceful. In a lot of ways, I felt like the most compelling character of this arc was Janet, the snarky and self-assured “mean girl” of the first book, who, in an amazing chapter in the middle of the book, tells a story of what she did while everyone else was adventuring. It was funny and sad and horrifying, and up there with some of my favorite parts of the whole series.
  • With my son, I finished reading the second “Warriors” book by Erin Hunter, about clans of cats, living outside of human domestication. It keeps the story going but yikes, not so well written.
  • We finished installing the objects from the Mask exhibit, and I finished writing and designing the text from some of the panels.
  • We got within striking distance of finishing the syllabus for MUST251: North American Material Culture.
  • I did some additional planning and coordination on an upcoming Indigenous speaker’s series.
by Quentin Lewis

Quentin's Weeknotes 8/1/21-8/7/21

This Week:

  • I finished Nalo Hopkinson’s “Skin Folk”, a short story collection of fantasy, science fiction, and magical realism, rooted in her Caribbean heritage and Canadian upbringing. I also read some more of Brian K. Vaughan’s “Paper Girls”, which continues to be a funny and strange science fiction comic about growing up, saving the world, and loving your friends.
  • I finally finished listening to the audible production of Neil Gaiman’s “The Sandman”. The graphic novel was one of the most important pieces of art I found as a young person, and listening to it wellperformed by an amazing cast brought back a lot of what originally inspired and astonished me about it. This time I was struck by just how violent and horrific parts of it are–the audio really brought home the horror of Dr. Destiny’s sadistic manipulation in “24 Hours” and the funny but terrifying story of “the Collectors.”
  • Last week, I took a vacation with the fam. We spent the first half of the  week in Southern Vermont, staying near Wilmington, swimming in Harriman reservoir, and visiting Manchester, Brattleboro, the ruined castle at Madame Sherri’s forest, and Shaftsbury state park. After that, we dipped down to western Mass, and visited with old friends, as well as making pit stops at the Whateley Diner, the Black Sheep, Richardson’s Candy Kitchen, and the Berkshire Brewing Company. It was a great trip for everyone but our poor dog, who we discovered REALLY doesn’t like being in cars.
  • At the Museum, we began installing the Mexican Mask exhibit. It’s taking a VERY long time, but will look great when it’s done.
  • We said goodbye to Gabriel Valenzuela (‘23) our summer Museum assistant. He’s done amazing work in inventory, installation, and general assistance and we’re sorry that he’s got to leave (even if he’s coming back in two weeks when classes start!).