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by Quentin Lewis

Booknotes: The People"s Republic of Walmart by Leigh Phillips and Michal Rozworski

 

 

The People’s Republic of Walmart: How the World’s Biggest Corporations are Laying the Foundation for Socialism

by

Leigh Phillips and Michal Rozworski

Finished 3/20/2022

 

A contrarian and radical book that argues against the facile critiques of socialist economic planning as unworkable, and presents, as an alternative, counter-examples drawn from the revolutions in commodity logistics, internet and technological algorithms, and a close reading of the history of large-scale economic planning.

Leigh Phillips is a socialist and science journalist, who has written books advocating for technological solutions to ecological catastrophes, as well as a left defense of air conditioning (!) He’s an excellent writer, even when covering complex subjects like the economic calculation debate. I had heard of this book when it came out, and finally got a chance to crack it this year.

One of the long-standing critiques of socialist, or even social-democratic government planning and regulation is that markets are more efficient, in their coding of all kinds of information about supply, demand, politics and culture into the simple metric of price. The authors start with this criticism, and trace its origins through the 20th century debates between socialist (and even capitalist) economists and the neoliberal Austrian and Chicago economists whose ideas and policies would come to dominate the neoliberal era. This debate is complicated (though the authors do a good job of exploring that complexity), but the upshot is that, for the past 40 years, market boosters have won that debate, and have enacted policies in governments across the globe that foregrounded market forces over state planning in the name of efficiency. The question of whether efficiency was ever the goal (as opposed to, say, labor subjugation or white supremacy) is an open one, but Phillips and Rozworski take market boosters at their word that there is no state or policies that can delegate resources as efficiently as markets.

The rest of the book presents a series of counterfactuals to this argument, both drawn from technological and logistics revolutions of the last fifty years, and from a close reading of the economics of state socialism in the Soviet Union on elsewhere. What they find is that the case for immutable market efficiency and state inefficiency is decidedly more mixed, contested, and uneven. Indeed, one might say that the book is an attempt to show the ways in which capitalists have often ruthlessly planned, and socialists often navigate economies based on contingency, chaotic democracy, and immediate necessity. To take an example from their title, Walmart (the world’s third largest employer, with an internal economy the size of Sweden) is an astonishingly controlled, planned economy internally, relying as it does on just-in-time production and delivery, meticulous stock management and forecasting, and very close and rigorous planning based on complex computer algorithms that regulate the supply and movement of goods across its supply chain. Simply put, Walmart is a planned, managed economy, with the only caveat being that its economic output is profit for shareholders rather than provisioning of citizens. The authors contrast this rigorously planned system with that of Sears, which was purchased by libertarian CEO Edward Lampert in 2004, which was re-organized with different sectors of the company competing with each other (an efficient, competitive economy?), with disastrous results.

Phillips and Rozworski perform a similar analysis of Amazon, whose forecasting and consumer behavior models calculate what consumers want or need before they may even be conscious of it themselves, and then present it to them as a recommended purchase. Along with an analysis of hedge funds (a kind of future planning, based on calculation of market forces), the authors suggest that the possibilities of fairly and equitably provisioning people in the present and for the future exist within current business, financial, and technological forces. The only difference is that they are currently harnessed for private profit, rather than public betterment.

The second half of the book explores historical moments of state-based economic planning, and finds evidence for the ways in which the neoliberal idea that “all planning will eventually fail” is belied by more nuanced and historically contingent forces acting upon both states and markets. Phillips and Rozworski examine the early economic planning efforts of the Soviet Union, which created, from the ground up, a system of state planning where none had previously existed. They argue, following earlier scholarship, that there were a number of planning models present in the early decades of the USSR, and that the decision to focus the economy on heavy industry rather than on lighter consumer industry or improving agricultural production, was a political choice with disastrous consequences for workers control (rather than bureaucratic control), as well as for peasants (including Ukrainian farmers who were starved of their own surplus in an effort to make the five year plan look on track). The key point of their long exploration of the first two decades of Soviet economic management was that what can seem in retrospect like a “plan” was in fact “a chaotic stagger from bottleneck to bottleneck” (Ch. 7) rooted as much in the exigencies of the revolution, the subsequent Civil War, and the breakdown of infrastructure which was, itself already sorely underdeveloped. Stalin’s power grab and subsequent purges wiped out many of the people with the kind of expertise that could have more democratically guided an experiment in economic planning, and replaced them with bureaucrats skilled as yes-men, and capable of papering over failures. It was authoritarianism that spurred the whims and failures of economic planning, rather than the other way around.

Other interesting examples of the complexity and possibility of planning include rich discussions of the history of the UK National Health Service, one of the largest planned resource provisioning programs ever attempted, and Salvador Allende’s development of Cybersyn, an early version of the internet in socialist Chile which attempted to both provision goods to Chilean citizens and also respond to their needs through a series of feedback processes that decentralized and democratised economic provisioning without a price mechanism.

Ultimately, Phillips and Rozworski want to see a planned, equitable economy replace the current rapacious capitalist one both to reduce inequality, and prevent ecological catastrophe (as they frequently remark throughout the text, the price of fossil fuels does not contain information about the disastrous footprint of their long-term ecological consequences). Their central thesis is that economic planning is possible, and that an economy that fairly and equitably distributes resources can draw upon the lessons of capitalist and socialist innovation, contradiction, and failure. What separates good planning from poor planning is, they argue, the extent to which it takes into account the distributed and decentralized nature of needs, knowledge, and resources, and build feedback and democracy into provisioning structures.

There is a kind of chicken-and-egg element to this book: i.e. “planning is good, but only if it’s good planning”.  Additionally, there is a long-standing anarchist critique of both capitalists and states as two sides of the same heavy-hand of control. The authors are hopeful of the power ingenuity and goodwill to create a fair system of social provision that neither enhances private wealth nor beggars the bulk of humanity, and it’s reasonable to perhaps think this naive. Nevertheless, I learned a lot about the ways in which seemingly anarchic capitalism relies on rigorous planning, and methods derived from socialists, as well as the ways in which socialists have experimented with (and sometimes succeeded in the short term) equitably distributed economies.

by Quentin Lewis

Quentin's Weeknotes 3/20/22-3/26/22

This Week:

  • I worked on a grant to help the Museum with its efforts at engagement with Haudenosaunee communities.
  • In MUST204: Collections Management, we talked about care for metal objects, and for textiles, and we washed and waxed the Eurydice statue in front of Yager Hall.
  • I finished reading “The People’s Republic of Walmart” by Leigh Phillips and Michal Rozworski and wrote up some lengthy notes. It’s a fascinating book about whether we can use the tools of management and organized developed by firms like Walmart and Amazon (as well as the histories of previous attempts at planning economies) to create a socialist provisioning system that will be equitable and sustainable.
by Quentin Lewis

Quentin's Weeknotes 3/13/22-3/19/22

This Week:

by Quentin Lewis

Quentin's Weeknotes 3/6/2022-3/12/2022

This Week:

  • I made the final preparations for the Museum’s upcoming talk by Bonney Hartley, the Tribal Historic Preservation Manager for the Stockbridge-Munsee Community.
  • In Collections Management, we talked about finding objects in the Museum using our database, as well as labelling objects.
  • I did some work on some upcoming exhibit projects.
  • I attended Hartwick’s DEI sub-committee meeting on Indigenous issues.
  • I started weightlifting again, inspired by Casey Johnston (of “Ask a Swole Woman” and “She’s a Beast” fame) and her “couch to barbell” program. Given that I have some experience with weightlfting, I jumped the progression chart a bit and went straight to  Hartwick’s Binder gym. I forgot how good it feels to lift weights, and I’m glad I’ve taken it up again.
by Quentin Lewis

Quentin's Weeknotes 2/27/22-3/5/22

This Week:

  • I sold some comics on Ebay, for the first time in many years. I used to regularly buy and sell comics, but I’ve slowed down in the past few years.
  • In MUST204: Collections Management, we held a mock Collections Committee meeting where students submitted personal objects for consideration for the Museum. We also talked about Museum databases.
  • I held one on one meetings with my Collections Management students for a co-assessment of their classroom engagement and performance.
  • I did some work on a grant for an upcoming exhibit revamp and community engagement project at the Museum.
  • I did some preparatory work for one of our upcoming speakers in the College’s series on Indigenous acknowledgement and recognition.
  • I attended a friend’s virtual baby shower. Congratulations to Randall and Bora!
by Quentin Lewis

Quentin's Weeknotes 2/20/22-2/26/22

This week:

via GIPHY

 

  • My wife and I watched Hustlers, a fantastic movie that combines a cracking Robin Hood story, a scathing portrayal of patriarchy, a love letter to sisterhood and female friendship, and endless g-strings and high heels. Really excellent and one of the better movies about the 2008 financial crash that I’ve ever seen.
  • I joined the Hartwick DEI - Indigenous Issues committee, with the goal of elaborating further engagement between Hartwick College and the Haudenosaunee peoples on whose lands the college resides.
  • I wrote a recommendation letter for a student for the John Christopher Hartwick Fellowship.
  • In MUST204: Collections Management, we talked about Museum environmental conditions, as well as collections management policies.
  • I finished reading Tamsyn Muir’s “Gideon the Ninth” which was a funny, strange, and rich piece of speculative fiction about warring houses vying for the favor of an immortal emperor, but is really about the complicated emotions of close friendships. It’s as good as everyone says it is–read it!
  • We also watched “Free Guy”, a fun popcorn movie about MMO NPCs gaining sentience and going on strike. I didn’t love it (it was a bit weightless for my liking), but it was definitely charming and entertaining, with some fun performances.
  • Over the last month, I’ve been burning my way through the hilarious and informative podcast 5-4, which bills itself as “a podcast about why the Supreme Court Sucks”. Each episode, three very funny lawyers discuss a historical or recent case that was decided 5-4 and pick it apart with humor and a deep understanding of the law. A particularly funny episode is their dissection of Bennis V. Michigan, a 1996 case in which the Court upheld civil forfeiture. It’s laugh-out-loud funny, and very smart if you’re interested in the law and politics. Highly recommended.
by Quentin Lewis

Quentin's Weeknotes 2/13/22-2/19/22

This Week:

  • I finished reading Kit Reed’s book on writing entitled “Story First: The Writer as Insider”.
  • In MUST204, I taught about condition reports of objects, and about Museum nomenclature.
  • We had our opening reception for “Juxtapositions: Warhol and the Baroque” at the Yager Museum. I helped install the exhibit, and did some design work on panels, and it came out quite well!
  • I watched the British horror movie “His House”. It’s a dark and magical meditation on immigration, but I thought it pulled its punches, particularly in the face of horrifying xenophobia and racism gripping Britain right now.
by Quentin Lewis

Quentin's Weeknotes 2/6/22-2/11/22

This Week:

  • I re-read M. John Harrison’s masterful novel “Light”, a book about quantum mechanics, exploration, and the tensions of running from or embracing immediate experience. I first read it almost 10 years ago, and enjoyed it, though I had not yet spent as much time with Harrison’s understated, exacting prose as I have since then. As such, I think I was a little bewildered by this novel, which follows three interlinked narratives across hundreds (actually billions) of years and hundreds of millions of miles, and contains so much weird but plausible future-speculation alongside its rich explorations of human fraility, self-involvement and self-deception. This time around, I was astonished and delighted by how well Harrison sticks the landing of its ending (which he ironically but emphatically calls “The Beginning”), despite all of this abstraction and complexity.
  • I started teaching MUST204: collections management again. I’m trying to shift it towards more of an “ungraded” model, following on the work of educational scholars who are critical of our late-Victorian grading system. We jumped right in with basic object handling!
  • I purchased the beautiful and haunting self-titled album by Doran. They’ve constructed their own folk-music language which I find enticing and foreboding in equal measure. This song is a good example, with its combination of gentle chanting, affection for nature, and lurking magic:[youtube https://www.youtube.com/watch?v=y8XpnyEmCzw&w=560&h=315]
  • My wife and I worked our way through Staged, a wonderfully funny BBC series in which David Tennant and Michael Sheen star as outsized versions of themselves during COVID lockdown, trying to rehearse a play that was postponed by the pandemic. It was filmed largely on Zoom and has featured some wonderful cameos by Samuel Jackson, Adrian Lester, and Judi Dench. Well worth your time.
  • I did some design work, and some planning on our just-about-to-open exhibit “Juxtapositions: Warhol and the Baroque”
by Quentin Lewis

Quentin's Weeknotes 1/30/22-2/5/22

This Week:

  • I was mostly home with my kid, who was quarantining.
  • I mourned the passing of Anthony Barrand, who died on Saturday the 29th. Anthonhy Barrand receiving a lifetime acheivement award from the Country Dance and Song Society (2009)

Growing up, my dad had a record by a group called Nowell Sing We Clear which was a regular staple of our household during the holidays. When I got to Boston University I discovered that the sonorous and bold tenor voice on that album belonged to a professor of anthropology and folklore there named Tony Barrand. He taught classes in folk music (largely from the British and American traditions), Morris dancing and Mummer’s plays, and folklore. I took every class he offered, each day of which started with a song from his astonishing and immeasurable repertoire. Despite the sadness at his passing, what I mostly remembered this week were his ribald songs, humorous or full of sexual innuendo (or completely lacking it in some cases). He sang us songs like “I wish they’d do it now” or “9 times a night”, “the Coachman” or “The Foggy Dew” and did so with a seriousness that made them somehow funnier and more insightful. I also remember a class in his folklore course on dirty jokes that was maybe the filthiest educational experience I ever had. 

Anthony Barrand as “Mother” His sense of humor and joy at performance was always present in classes and in person. The final project for his “English Dance and Ritual Drama” course was the entire class doing various Morris Dances in Marsh Plaza. For anyone who knows the BU campus, this is both a very public space on Commonwealth Avenue, and also a major route of prospective campus visits. Barrand would motor around on his mobility scooter, dressed as the “Mother” character, and whenever a tour would stop to gawk at these students making sword locks and jumping with hankies, he would yell out “I’M THE PROFESSOR!!!!” to bewildered parents and high school students.

The other memory I had is that his Folk Song class was the first one I went to after the news about 9/11 started trickling its way across campus. When we got there, he had us sing Shaker and Shape note songs about about death and it’s eternal promise at the end of all our lives. At first, I was upset about having to sing about death in a moment of horror, but gradually, I realized that he was using group singing to give us a community of grief. It was a profound moment of teaching and learning, especially when, as he later told us, he knew of two people he had lost that day.

He later served on my undergraduate thesis committee, and was gracious and thoughtful as I worked my through an eclectic thesis on archaeology and music. After I graduated, I saw him perform a few times, most notably with Nowell Sing We Clear at the Latchis theatre in Brattleboro. I also corresponded with him a few times, and he always took time to respond, even as his health continued to deteriorate.

He broadened and expanded my understanding of folk music and folklore, and his ability to educate, inspire, and entertain seamlessly has been a guiding star in my own teaching. The memories of all of this are what I’ll keep, and I couldn’t pick just one song to remember him by. But the song below, called “The Dreadful Ghost” shows off his beautiful voice, his engaged performance, and his understated but insistent feminism–he championed women students, dancers, and singers, and many of his best songs told the story of women scorned and women triumphant.

[youtube https://www.youtube.com/watch?v=0dU5Pl4hQmE&w=560&h=315]

Rest in Peace, Tony, and thank you.

by Quentin Lewis

Quentin's Weeknotes 1/23/22-1/29/22

This Week:

  • I finished updating my syllabus for MUST204: Collections management. All ready for the Spring semester.
  • I finished designing the title panel for an upcoming exhibit.
  • I finished reading “Fledgling”, Octavia Butler’s take on vampire fiction, and her final novel before her untimely death in 2006. It was very good, typically richly written and engaging with many of the same questions of race and the emotional dynamics of power that Butler often wrestled with. It wasn’t my favorite of her novels (if pressed, I’d probably say “Lilith’s Brood”), but it’s still a masterful piece of fantastic fiction.
  • I watched “Black Death” a gory and violent nightmare of a film set during the 14th century Bubonic Plague, and following a group of religious Knights who are hunting a community mysteriously untouched by the illness. The film was gorgeously and eerily shot, and captures the mud and mire of Medieval Europe–it reminded a bit of Valhalla Rising, with its almost operatic depictions of violence and blood in a lonely landscape. The film tries to make some profound points about ideology and faith, but it’s VERY ham-handed, and would’ve been better served without the moralizing speeches.
  • As a bewildering cap on what was otherwise a fairly straightforward week, my daughter is home quarantining after a positive test at her daycare. So that’s the end of that!