Recent Posts (page 25 / 39)

by Quentin Lewis

Quentin's Weeknotes 11/14/21-11/20/21

This Week:

  • The Museum hosted “Enchanted Worlds: A Fiesta at the Yager Museum”. This event, created by students in the “Places of Learning” class, used the Mexican mask exhibit as inspiration for a program of crafts, food, music, and fun. It was a great time, and I’m very impressed at all the great work they did!
  • In MUST251, we talked about vernacular architecture (specifically tobacco barns in the Connecticut River Valley) and the tourist landscape of Cooperstown, NY.
by Quentin Lewis

Quentin's Weeknotes 11/7/21-11/13/21

This Week:

via GIPHY

 

  • I finished reading “Memento Mori” by Brian Hauser. It’s an epistolary (sort of) novel that riffs on the mythology of Robert W. Chambers “The King in Yellow”, a favorite of HP Lovecraft and the inspiration for the first season of True Detective.
  • This week in MUSt251, we talked about Maps as Material Culture, and cultural landscapes.The students also submitted their object biography drafts, and we sent them comments to help them revise.
  • For the last two weeks, one or the other of my kids has been quarantined for COVID-19 exposure. It’s been a rough and exhausting time, and I’m happy that my kids were ultimately not infected. I’m also frustrated and angry at my follow community-members, who continue to resist, flout, or complain about the most minimal of public health interventions (masks and vaccines) thus creating even more dramatic consequences for themselves and us.
  • I spent some time working on getting the panels in our mask exhibit fully translated into Spanish.
by Quentin Lewis

Quentin's Weeknotes 10/31/21-11/6/21

This Week:

  • My family had a pretty good Halloween, all things considered. We marched in the Oneonta Parade, did some trick or treating, and carved pumpkins, which managed to survive until Halloween, despite regular snacking on by deer.
  • This week in MUST251, we had a day of consultation and planning around the student’s final “object biography” papers, and I lectured about 19th century Native American baskets and tourism.
  • I partcipated in a panel at the Association on American Indian Affairs Repatriation conference entitled “Nothing that Deserved the Name of Purchase was Made”, in which I discussed our recent consultation work with the Stockbridge-Munsee that resulted in our repatriation of brooches used by John W. Quinney. The panel was great, and got a great response from the audience. I was honored and humbled to take part.
  • I bought records by All Them Witches, King Buffalo, and The horror.
  • I also opened this great birthday present from my parents a little early–I couldn’t wait.
by Quentin Lewis

Quentin's Weeknotes 10/24/21-10/30/21

This week:

  • I watched Ben Wheatley’s folk/nature horror film “In the Earth” which was weird and beautiful.
  • My wife and I watched the new “Dune”. It was…fine. Breathtakingly beautiful and richly made, but just kind of meh for me. Compared to the insane and barely coherent Lynch version, it felt very stale and lifeless.
  • I read Orrin Grey’s short story collection “Guinol and other Sardonic Tales”. It was fun, and referential, with lots of great film references. Nothing mind-blowing, but definitely a good time.
  • The Yager Museum hosted “The Horror in the Museum”, our annual Halloween storytelling event. It was a great old time, with wonderful readers and an enthusiastic audience.
by Quentin Lewis

Quentin's Weeknotes 10/17/21-10/23-21

This Week:

via GIPHY

by Quentin Lewis

Quentin's Weeknotes 10/10/21-10/16/21

This Week:

  • In MUST251, we taught brief overviews of the material culture of African-America, including discussions of minkisi bundles, the Bakongo cosmogram, and the African Burial Ground in New York City. I had the good fortune to know and later work for the director of Archaeology from the ABG, Professor Warren Perry, and it was delightful and heartwarming to teach the things he taught me to other students.
  • I did some work getting ready for our upcoming Halloween event “The Horror in the Museum”
  • I finished watching “Spring”, a beautiful, sweet, and grotesque film about a young man who falls in love with a monster. I love Benson and Moorhead’s other films, but this is a class by itself. Genuinely strange and gorgeously shot in Italy, it’s a movie about love and death and bodies and history. Just amazing….
  • In a fit of seasonal Halloween enthusiasm, I dusted off a reading I did of HP Lovecraft’s “The Colour Out of Space”. It’ll be up on the blog, as well as in my “projects” section.
by Quentin Lewis

Quentin's Weeknotes 10/3/21-10/9/21

This Week:

  • In MUST251, we talked about the material culture of early Euro-Americans in New England, with a close reading of James Deetz’ “In Small Things Forgotten”, as well as articles about elite architecture in 18th century rural Massachusetts.
  • We were delighted to welcome Michelle Schenandoah for a talk at Hartwick, as part of our speaker’s series on acknowledging Hartwick College’s place on Haudenosaunee land.
  • I finished reading Annalee Newitz new book “Four Lost Cities: A Secret History of the Urban Age”. It’s a travelog, a great primer on archaeology, and a love letter to urban living in the past, present, and future.
by Quentin Lewis

Quentin's Weeknotes 9/26/21-10/2/21

This Week:

  • I finished reading “The Urban Bizarre”, edited by Nick Mamatas. It’s an eclectic and electric collection of weird urban fiction, with plenty of violence, sex, and tall buildings.
  • This week in MUST251, we taught brass objects in the fur trade, Thayendanegea/Joseph Brant, and the image of the tomahawk in the United States.
  • via GIPHY

With my kid, I watched Ghidorah: The Three-Headed Monster. It’s the perfect combination of exciting, scary and silly for an 8 year old. We loved it, though it certainly takes its time getting to the monster fighting.

  • On Friday, I went with my friend Thor to see Clutch at the Empire in Albany. I’ve been a fan of Clutch since I first saw them in 1999 at the Middle East Club in Cambridge, and I’ve tried to see them live every chance I get. Despite being 30 years (!) into their career, the band is still an astonishing and delightful live act. I was also particularly impressed with one of their opening acts, King Buffalo, who blew me away.
by Quentin Lewis

Quentin's Weeknotes 9/19/21-9/25/21

This Week:

by Quentin Lewis

Booknotes: Things That Never Happen by M. John Harrison

I’ve talked about M. John Harrison before. The topline is that he’s a brilliant prose stylist, a peerless writer of landscape and the material world, and a keen observer of the complex lengths people will go to avoid confronting their own loneliness and dissatisfaction. He combines all of that with a deeply critical grasp of genre of “the fantastic” and its contradictions. Even the stories of his that don’t viscerally grab me are still compelling and engaging. 

I recently finished a now-out-of-print collection of his short stories called “Things that Never Happen”, spanning the 1970s-1990s, though a new collection that includes many of the same stories, entitled “Settling the World” has recently been published. Here are a few stories from it that did, in fact, grab me:

The Incalling–Two men attend a somewhat hokey mysical ceremony in a house in London, and must deal with the strange and incomprehensible consequences. For my money, the creepiest story in the collection, full of barely coherent magic and the forces it can unleash on our bodies and the world around us.

The Ice Monkey–A very subtle portrait of despair, class inequality, and binding ties in Thatcherite London, painted with a cold detachment that befits the eponymous but invisible monster at the heart of the story. Harrison describes this as a horror story with all of the horrific elements removed.

Egnaro - A bookshop owner becomes obsessed with finding reference to an obscure location or condition that may or may not exist. When I first read this, in Jeff and Ann Vandermeer’s amazing anthology “The Weird” I saw it as a satire of the typical Lovecraftian protagonist; a person whose search for arcane knowledge devours them as easily as whatever horrors they might find. This time around, It struck me as aiming at a much deeper target, something about the ways that the fantastic allows us to paper over the contradictions of modern life. I thought about America’s current obsession with finding clues and patterns in mundane things and purporting vast mysteries, and the terrible consequences that search has wrought.

Seven Guesses of the Heart- A fantasy story a magician and the death of his daughter who tried to follow in his footsteps. It’s a story about male self-centeredness, and the things fathers give to (and take from) children. Heart-wrenching and strange, especially as a Dad myself.

I Did It–a funny story about football, masculinity, and hitting yourself in the head with an axe.

All of the stories in this collection are rich and engaging–I read them slowly, enjoying the gorgeous descriptions of London and rural England, wondering about the nature of Autotelia (one of Harrison’s many fictional or fiction-adjacent places which pops up in multiple stories), and feeling genuine sympathy (or sometimes enmity) for his narrators and characters, who are all, in some ways, trapped in themselves by the worlds they live in.