Recent Posts (page 26 / 37)

by Quentin Lewis

BookNotes- Conspiracy of Interests by Laurence Hauptman

Conspiracy of Interests: Iroquois Dispossession and the Rise of New York State.

by

Laurence Hauptman

Finished 3/29/21

A rich and detailed history of how the Iroquois/Haudenosaunee people, who had controlled almost all of what became New York State prior to the Revolutionary War, lost almost all of it to American speculators, politicians and colonizers.

At their political and cultural height (particularly in the 17th century), it is likely that the Haudenosaunee confederacy (sometimes called the Iroquois) occupied almost the entirety of what became New York state, as well as Southern Ontario and swaths of the Mid-Atlantic. And certainly their cultural influence colored and structured much of Eastern North America and directly impacted the arrival and spread of Europeans to the Continent. By the the time of the American Civil War, they had been reduced to half a dozen reservations scattered across New York, and with other communites removed to Wisconsin.

Hauptman is one of the best White historians of the Iroquois, and this book is his attempt to situate and understand how Iroquoia became New York. To that end, he focuses particular attention on the dispossession of the Oneida Nation and the Seneca Nation, two of the Nations that make up the Six-Nations Haudenosaunee Confederacy (the others being the Cayuga, Mohawk, Onondaga, and Tuscorora).

There’s a lot of astonishing detail in here, but a few overall themes emerged that really stuck with me. The first is that when we think of the process of colonization, we tend to think of land as the benchmark measure of loss and gain. But what Hauptman makes clear is that the infrastructure that connects a landscape together, in this case canals, turnpikes, and roads, are the actual engines of colonialism. Thus, the industrial corridor of New York, including the cities of Buffalo, Rochester, Syracuse, and Utica, came together through the building of such infrastructure, and this occurred alongside and because of the dispossession of Oneida and Seneca lands. The architects of this stitching together of central and western New york were all land speculators and their political allies (including Philip Schuyler, father-in-law of Alexander Hamilton) who understood that they couldn’t really drive the Haudenosaunee out unless there was a mechanism to transport people and goods into their lands.

The second theme was the interrelationship of economic, political, and cultural forces arrayed against the Haudenosaunee in their struggle to maintain their land. Characters like Schuyler were politicians, land-speculators, Native brokers throughout the course of their lives, and their connections with each other cemented the “conspiracy” from which the book’s title comes. In many cases, the treaties and land sessions made with the Oneida and Seneca were not legal at the time, or were conducted under coercion or false pretenses or playing internal Indigenous factions against each other, but the momentum of settlement that followed them obviated their “legality” and replaced it with force. To take an obvious example, New York State had no legal authority to make a treaty with another sovereign nation, and yet, various land sessions between the Oneida and New York state were functionally “treaties” in which the Oneida ceded land in exchange for protection, and which ultimately worked to the benefit of land speculators and improvers who then used New York’s ownership as a pretense for White expansion. This is particularly tragic, given that the Oneida had fought alongside the Americans during the Revolution, creating the very country that then overwhelmed them.

Functionally, New York state was not a cohesive or coherent state until it was stitched together with Infrastructure, and this stitching was done at the expense of the Haudenosaunee peoples who lived there. The long legal history of (particularly Oneida) land claims in New York in the 20th century is a fallout from the greed and dubious legality of the White actions described in this book. It’s a fascinating and angering history that anyone who calls New York State home should read and understand.

by Quentin Lewis

Quentin's Weeknotes 3/21/21-3/27/21

This Week:

  • I taught the basics of object photography, as well as the history of collections management.
  • I worked on finalizing a long collections project that I hope I can talk about soon!
  • I finished reading “Star Wars: The Weapon of a Jedi” with my 7 yo. It’s a fun book that takes place between episodes 4 and 5 of the movies, and both I and my kid enjoyed it a lot.
  • I also finished reading John Gardner’s “The Art of Fiction: Notes on the Craft for Young Writers” a dense and detailed book that examines the craft of fiction writing. I want to take notes on its many rich insights, in the 26th and 27th hours of my day.
  • My beloved kindle keyboard, which I got almost 10 years ago, finally gave up the ghost. To replace it, I bought a Kobo Clara HD, which seems to have most of the same specs as a Kindle Paper white, and comes with the added bonus of not supporting a company that forces its workers to hoard their pee.
  • More mystery–I did some planning for an upcoming Yager Museum campus event. Stay tuned!
by Quentin Lewis

Quentin's Weeknotes 3/7/21-3/31/21

This Week:

  • In an effort to drive less and get more excercise, I started to biking to work, now that the long New York winter is starting to loosen its grip. I bought a used Trek 7000, and a Banjo Brothers waterproof pannier to keep my stuff from falling.
  • In Collections Management, we talked about collections policies, and NAGPRA, and also using computer databases to organize collections.
  • I did some work trying to get a future exhibit on Mexican Masks up and running.
  • I worked with students, and by myself, on some collections research projects related to the peopling of North America, and 19th century Indigenous politics.
  • I finished reading “The Children of Old Leech: A Tribute to the Carniverous Cosmos of Laird Barron.”  I love Barron’s short fiction, which meshes together Cosmic horror with the working class fictional genres of westerns, work novels, and detective fiction. In particular, his collections “Occultation” and “The Imago Sequence” are modern horror classics, and his austere and muted prose strikes a gorgeous counterpoint to his wildly imaginative monstrous cosmology related to ancient evil and occult conspiracy. This collection shows other authors paying tribute to Barron by using his mythologies in their own original stories. Perhaps ironically, given that Barron’s worlds are very masculine in tone and subject, the best stories here, in my opinion, were written by women.
  • On Bandcamp friday, I picked up Richard Thompson’s new-ish album “13 Rivers” and Jawbreaker’s classic “24 hour Revenge Therapy”
  • We got a dog. This is Aquilo or Quill for short. He’s probably some kind of husky/german shepherd mix, though possibly with a bit of terrier in there somewhere. So far, he’s a sweetheart who loves time on the couch as much as he loves exploring every square foot of our local park. We got him from “It’s Ruff without a roof”, a shelter in Pennsylvania.
by Quentin Lewis

Quentin's Weeknotes 2/28/21-3/6/21

This week:

by Quentin Lewis

Quentin's Weeknotes 2/21/21-2/27/21

 

This Week:

by Quentin Lewis

Quentin's Weeknotes 2/14/21-2/20/21

This Week:

via GIPHY

 

  • I celebrated Valentine’s with my gal, and my kids.
  • I was back at the Museum after a week off, with a giant to-do pile to wade through, including getting ready to teach Collections Management, getting our work-study gallery assistants together, and getting some programs planned for the coming semester.
  • Between this week and last week, I read a bunch of digital comics that had been sitting in odd corners of hard drives. I read through the first three volumes of Rob Kirkman’s Invincible (great!), volume 1 of Tim Seeley’s Revival (meh!), and Tsutomu Nihei’s Noise (?!???!?!?!).
by Quentin Lewis

Quentin's Weeknotes 1/31/21-02/6/21

This Week:

  • The Yager Museum screened “Mohawk” a wonderfully role-reversed supernatural action movie, where the protagonists are Haudeonsaunee Iroquois on the run from American invaders during the war of 1812. It’s got an amazing cast of White and Native actors, and was filmed in consultation with the Skä•noñh - Great Law of Peace Center. Leaving all that aside, the movie is a fun, violent romp, beautifully shot and well acted.
  • I continued work on some complicated material culture research with the collections.
  • I enjoyed this episode of the Choral Fixation podcast, connecting up the Tik-Tok sea shanty craze with legendary folksinger Stan Rogers.
  • I read the first volume of Rob Kirkman’s Invincible, and enjoyed it quite a bit–one step up from the usual “Superheroes are real people” deconstruction that’s been in vogue for the last three decades.
by Quentin Lewis

Quentin's Weeknotes 1/24/21-1/30/21

This week:

  • I finished reading the first Enola Holmes book “the Case of the Missing Marquess” with my kid. I heard about it because of the Netflix movie, and found that (as is so often the case) the book was much better than the original. A fun, feminist detective story that my somewhat precocious 7 year old could follow with only a little extra explanation.
  • I watched “Midnight Special”, a dark and strange superhero movie with a stellar cast. I had heard about it years ago but only got around to watching it now. The movie centers around a child and his father (played with great understatement by Michael Shannon) who are on the run from a religious cult and the US government, due to the boy’s miraculous, dangerous, and ultimately self-draining abilities. It’s a contemplative, exciting movie about power, freedom, and what those things may cost.
  • I did some work at the Museum for upcoming programs (Mohawk!) and research on collections objects.
  • I got my Collections Management syllabus in gear for the upcoming Spring semester.
  • I finished reading Neal Stephenson’s “Snow Crash” which I had owned for years, but never read…and reading it, I remember why. He’s a brilliant writer, with a real skill for propulsive and exciting prose and action, and his juxtapositions of seemingly unrelated things are brilliant and funny (ancient mythology and computers?) But I find reading him extraordinarily difficult, because he switches perspectives so frequently that I never feel settled into his texts. I get to the end of an exciting chapter, and then jump into the next chapter and lose all the momentum that he built up. Anyway, Snow Crash was great.
by Quentin Lewis

Quentin's Weeknotes 1/17/21-1/23/21

This week:

by Quentin Lewis