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by Quentin Lewis

Booknotes: Ungrading, edited by Susan Blum

Ungrading: Why Rating Students Undermines Learning (and What to Do Instead)

edited by Susan D. Blum

Finished 5/15/21

A book exploring alternatives to grading in classrooms, based on the premise that grading, as traditionally practiced, hinders learning.

I’m not primarily an educator, though I’ve spent a lot of time in classrooms as a student and as an instructor. But like the contributors to this book, I want my few experiences as a teacher to be meaningful and help the students I work with learn skills, facts, and ways of thinking that will stay with them throughout their lives. The educators who wrote chapters of this book are drawn from K-12 and collegiate environments, as well as from across science and humanities disciplines. What they have in common is a dissatisfaction with grading as a means of evaluating and promoting learning, and a diverse set of alternatives to grading.

The dissatisfaction stems from Threebasic problelms. First, grading leads to a focus on metrics rather than learning. Both students and teachers focus on grades and performance rather than content or enrichment, leading to least-cost strategies and for getting through classes, including cheating, plagiarism, and short-term memorization over engagement. Second, grading is a poor way to evaluate course performance. Grading all performance along a single metric (letters, percentage, etc…) flattens student experience and background–i.e. a student with pre-existing subject knowledge slacks off in a class and gets the same grade as a student with no knowledge who works their butt off. In other words, there is no clear consensus about what grades are actually measuring. Third, grades transform the complexity of student-teacher relationships into an abstract one that can produce anxiety, suspicion, rule-making and rule-evasion. The hierarchy inherent in grading leads even the best educators to force students to treat them as an oppositional gatekeeper, rather than as a partner in learning, growth, and enrichment.

The chapters of the book, written by a diverse group of educators, articulate different practical solutions to these problems, but all under the broad umbrella of doing away with grades entirely, or as much as possible in a given institution. What generally replaces individual grades on classroom assignments is a narrative or qualititave evaluation of student work, most often in consultation with the student. The goal is constructive improvement of existing skills and knowledge rather than a finalized and abstract assessment of work. It also requires building a relationship with each student such that they embrace or at least accept some responsibility for guiding themselves through the class rather than an instructor taking them from graded-assignment to graded-assignment. In several cases elaborated here, instructors have students choose their grades, based on their own assessment of their performance rather than one externally derived from a syllabus, rubrics, and instructor evaluation of both.

Several chapters in the book include excerpts of syllabi, evaluative material, and assignments to provide a framework for how to practically implement nongrading. Others discuss ungrading in philosophical or historical terms, locating it within progressive or radical pedagogical frameworks. All in all, it was a very inspiring collection, and got me thinking about how to utilize its insights in the small amount of teaching that I do.

Leaving aside the idealism and morality of ungrading as a pedagogical goal, there are a number of tensions and uncertainties in the implementation of ungrading. First, every chapter made clear that ungrading, no matter how it’s done, is a lot of work. The simplicity of grading makes it relatively straightforward, particularly for large classes–you build a grading rubric, students submit their assignments or tests, and you assign them a ranked number or letter based on how well they fit that rubric. Redesigning a class around qualitative assessment and regular feedback is daunting in its own right, and then actually doing it for large classes sounds completely exhausting, especially for instructors who are already burning every candle at both ends. Every contributor talked about how much work they put in, though all spoke of how much more rewarding such classes eventually became upon doing the work.

Another point of tension was around instructor autonomy versus the hierarchical nature of educational institutions. Many instructors worked in institutions where grading formed an integral part of student experience and instructors who wanted to implement ungrading were forced to do so quietly or in a limited way. And all of that is leaving aside contingent or employment-insecure instructors who have little control over what they teach and how. In other words, ungrading seemed to work best for instructors who already had some kind of institutional power to change their pedagogy. Others, with less power, might find a book like this of little use.

Third, the book’s attempt to flatten the hierarchy of instructors and students might not find receptive ears for students who see education as a commodity, purchased with the goal of future employment. The neoliberalization of higher education in particular (not to mention the standardized testing that has been institutionalized in US K-12 education) has had the cultural effect of making education into an exchange of tuition for grades, and many students have embraced this (entirely reasonable though contridictory) logic in their dealings with instructors. Beyond this, the neoliberal model of higher education has increased the total number of college students, decreased tenured faculty, and increased contingent/adjunct faculty, leading to an exascerbation of all of the previous problems heretofore mentioned. I came from reading this book inspired by the righteousness and genuine humanity of the contributors, but daunted by the prospect of implementing their vision in an increasingly inhumane and hierarchical higher education landscape.

Finally, (and perhaps most pettily), many of the contributors are from humanities and social science backgrounds where narrative and qualititative evaluation of student work is already commonplace. I can imagine that for STEM educators, or technical educators finding ungrading a more complex task, though both groups are represented among the contributors and offer novel solutions to ungrading in those contexts. Still, it’s an easier sell for people who are already doing some of the methods described.

All in all, I came away impressed and inspired, and found myself wondering about how to do ungrading strategies in some of my teaching contexts. I suspect others who find themselves frustrated with their experiences with students or unhappy in their pedagogical methods will relish the opportunity to rethink or reflect on them using ungrading as a framework.

by Quentin Lewis

Quentin's Weeknotes 5/16/21-5/22/21

via GIPHY

 

This Week:

  • Mercifully, it’s the last week of classes at Hartwick, and my students finished up their collections projects with gusto. Everyone I know here is tired and dragging themselves across the finish line of this long, long semester.
  • I wrote a letter of recommendation for student to go to graduate school in Museum studies.
  • I started doing some planning for Fall events at the Yager Museum.
  • I did some work on the Masks Exhibit.
  • I finished reading a book about alternatives to traditional classroom grading that I’m still ruminating on.
  • I picked up a copy of the Current 93 album “Black Ships Ate the Sky." I don’t have a lot of familiarity with Current 93’s weird and exhaustingly long back-catalog, but this album is filled with multiple wonderful interpretations by different guest singers of the old Sacred Harp song Idumea, and it’s worth it for that. [youtube https://www.youtube.com/watch?v=uRGVrkhBaQA&w=560&h=315]
by Quentin Lewis

Quentin's Weeknotes 5/9/21-5/15/21

This Week:

by Quentin Lewis
by Quentin Lewis

Quentin's Weeknotes 4/25/21-5/1/21

This Week:

via GIPHY

 

by Quentin Lewis

Quentin's Weeknotes 4/18/21-4/24/21

This Week:

 

  • And last week too–I have to take four weeks off from my job, and last week won the prize,  so this kind of smushes things together.
  • I finished reading “Wool” by Hugh Howey. It was good, especially the thrilling second half, but it definitely took its time getting there.
  • I read the brilliant first volume of Gail Simone’s “Clean Room” which is a story about conspiracy, trauma, and the supernatural. It’s as weird as anything I’ve read from a mainstream comic publisher in a long time.
  • This week, my students in MUST204: Collections Management are starting the project period of their course, where they do a collections project in the Yager Museum.
  • The Yager Museum, with the support of other people and programs on campus, submitted an application to the Haan Fund for Native American Studies to bring Haudenosaunee speakers to campus to talk about acknowledgement and recognition of Hartwick’s place on Indigenous Land.
  • I started and finished Kameron Hurley’s award-winning novel “The Stars are Legion”–a wild and imaginative space opera/single-gender sci-fi epic that is almost too weird to easily explain. Suffice it to say, it’s about a series of living space-ships orbiting each other, and the women (only women) who live and work and die on them,  and what happens to two of the women who try to change that arrangement. I couldn’t put it down, and its accolades are well-deserved, imho.
  • I finished Cinzia Arruzza, Tithi Bhattacharya, and Nancy Fraser’s “Feminism for the 99%: A Manifesto”, which I liked both as a piece of rhetoric and as a platform. Arguing for an intersectional vision of contemporary feminist activism, the authors helpfully parse how contemporary neoliberalism has continued and expanded contradictions between production and reproduction, as well as culturally segmenting identity from the structural conditions that birth and organize it. I still have a hard time thinking through the complex relationships of race and class and gender in abstract ways, but this short book is a good model for how to do it.
by Quentin Lewis

Quentin's Weeknotes 4/4/21-4/10/21

This Week:

via GIPHY

 

  • Not sure what happened, but this didn’t get published on schedule. Oh well.
  • I taught care for works on paper, photographs, and paintings in collections management. We also started zeroing in on the final class projects.
  • I finished reading the short essay “The Old is Dying and the New Cannot be Born” by political theorist Nancy Fraser.  It gave me some language for thinking about the janus-face of neoliberalism’s emphases on economic freedom and “identity politics” but (perhaps because it’s meant to be short and readable) gave a short shrift to some of the rich intersectional thinking that is often cast as “identity politics.” Still, easily digestible and good to think with.
  • Thanks to the Museum of Care, I re-read David Graeber’s brilliant and thoughtful essay “What’s the point if we can’t have fun?" which ponders why so many of our basic scientific metaphors are rooted in capitalist thinking, and instead wonders how we might think differently if we say the natural, physical world as held together by play and freedom. I came to Graeber very late in my intellectual life, but his clear and evocative writing, deeply anarchist commitment to freedom and joy, and his vast intellectual reach continue to inspire me.
by Quentin Lewis

Quentin's Weeknotes 3/28/21-4/3/21

This week:

by Quentin Lewis

BookNotes- Conspiracy of Interests by Laurence Hauptman

Conspiracy of Interests: Iroquois Dispossession and the Rise of New York State.

by

Laurence Hauptman

Finished 3/29/21

A rich and detailed history of how the Iroquois/Haudenosaunee people, who had controlled almost all of what became New York State prior to the Revolutionary War, lost almost all of it to American speculators, politicians and colonizers.

At their political and cultural height (particularly in the 17th century), it is likely that the Haudenosaunee confederacy (sometimes called the Iroquois) occupied almost the entirety of what became New York state, as well as Southern Ontario and swaths of the Mid-Atlantic. And certainly their cultural influence colored and structured much of Eastern North America and directly impacted the arrival and spread of Europeans to the Continent. By the the time of the American Civil War, they had been reduced to half a dozen reservations scattered across New York, and with other communites removed to Wisconsin.

Hauptman is one of the best White historians of the Iroquois, and this book is his attempt to situate and understand how Iroquoia became New York. To that end, he focuses particular attention on the dispossession of the Oneida Nation and the Seneca Nation, two of the Nations that make up the Six-Nations Haudenosaunee Confederacy (the others being the Cayuga, Mohawk, Onondaga, and Tuscorora).

There’s a lot of astonishing detail in here, but a few overall themes emerged that really stuck with me. The first is that when we think of the process of colonization, we tend to think of land as the benchmark measure of loss and gain. But what Hauptman makes clear is that the infrastructure that connects a landscape together, in this case canals, turnpikes, and roads, are the actual engines of colonialism. Thus, the industrial corridor of New York, including the cities of Buffalo, Rochester, Syracuse, and Utica, came together through the building of such infrastructure, and this occurred alongside and because of the dispossession of Oneida and Seneca lands. The architects of this stitching together of central and western New york were all land speculators and their political allies (including Philip Schuyler, father-in-law of Alexander Hamilton) who understood that they couldn’t really drive the Haudenosaunee out unless there was a mechanism to transport people and goods into their lands.

The second theme was the interrelationship of economic, political, and cultural forces arrayed against the Haudenosaunee in their struggle to maintain their land. Characters like Schuyler were politicians, land-speculators, Native brokers throughout the course of their lives, and their connections with each other cemented the “conspiracy” from which the book’s title comes. In many cases, the treaties and land sessions made with the Oneida and Seneca were not legal at the time, or were conducted under coercion or false pretenses or playing internal Indigenous factions against each other, but the momentum of settlement that followed them obviated their “legality” and replaced it with force. To take an obvious example, New York State had no legal authority to make a treaty with another sovereign nation, and yet, various land sessions between the Oneida and New York state were functionally “treaties” in which the Oneida ceded land in exchange for protection, and which ultimately worked to the benefit of land speculators and improvers who then used New York’s ownership as a pretense for White expansion. This is particularly tragic, given that the Oneida had fought alongside the Americans during the Revolution, creating the very country that then overwhelmed them.

Functionally, New York state was not a cohesive or coherent state until it was stitched together with Infrastructure, and this stitching was done at the expense of the Haudenosaunee peoples who lived there. The long legal history of (particularly Oneida) land claims in New York in the 20th century is a fallout from the greed and dubious legality of the White actions described in this book. It’s a fascinating and angering history that anyone who calls New York State home should read and understand.

by Quentin Lewis

Quentin's Weeknotes 3/21/21-3/27/21

This Week:

  • I taught the basics of object photography, as well as the history of collections management.
  • I worked on finalizing a long collections project that I hope I can talk about soon!
  • I finished reading “Star Wars: The Weapon of a Jedi” with my 7 yo. It’s a fun book that takes place between episodes 4 and 5 of the movies, and both I and my kid enjoyed it a lot.
  • I also finished reading John Gardner’s “The Art of Fiction: Notes on the Craft for Young Writers” a dense and detailed book that examines the craft of fiction writing. I want to take notes on its many rich insights, in the 26th and 27th hours of my day.
  • My beloved kindle keyboard, which I got almost 10 years ago, finally gave up the ghost. To replace it, I bought a Kobo Clara HD, which seems to have most of the same specs as a Kindle Paper white, and comes with the added bonus of not supporting a company that forces its workers to hoard their pee.
  • More mystery–I did some planning for an upcoming Yager Museum campus event. Stay tuned!